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• 毎日新聞問題の情報集積wiki - Naughty schoolgirls serve up 'espressos' to go at 'encounter cafes'

  https://w.atwiki.jp/mainichi-matome/pages/5048.html

  The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Naughty schoolgirls serve up 'espressos' to go at 'encounter cafes'いけない女子生徒たちは「出会い喫茶」で、外出するために「エスプレッソ」を出す 参考資料 拡散状況 関連ページ Naughty schoolgirls serve up espressos to go at encounter cafes いけない女子生徒たちは「出会い喫茶」で、外出するために「エスプレッソ」を出す 元記事（削除済み)：http //mdn.mainichi.jp/culture/waiwai/news/20080515p2g00m0dm014000c.html 0 Naughty schoolgirls serve up espressos to go at encounter cafes 2008,05,15 AERA 5/19 By Ryann Connell いけない女子生徒たちは「出会い喫茶」で、外出するために「エスプレッソ」を出す AERA 5/19 ライアン・コネル記 1 "Encounter cafes," manga shops where men and women -- or more likely, girls, can meet and satisfy their mutual needs are rapidly increasing across Japan, according to AERA (5/19). 「出会い喫茶」――男性と女性、それどころか少女たちも出会ってお互いのニーズを満足させられる漫画の店――が、日本中で急速に増加している。AERA(5/19)より。 2 The women s weekly visits a Nagoya "deai kissa," literally an "encounter cafe," where a man was arrested last month for breaking the law banning child pornography for allegedly performing indecent acts on a 16-year-old. この女性週刊誌(AERA)は名古屋の「デアイキッサ」(文字通りの意味では出会い喫茶)を訪れる。そこでは、一人の男が、十六歳の児童にわいせつな行為を行ったとされることで、児童ポルノを禁止する法律に違反して先月逮捕された。 3 The reporter is there to see how the system works, discovering that membership for men costs a onetime fee of 5,000 yen and another 1,000 yen per visit, for which the entrant receives a membership card that can be in any name they like. 記者はどんなシステムになっているのかを調べるためにそこにいき、男性会費は、一回限りの料金が五千円で、来店のたびにさらに千円で、これにより新規会員は、どんな名前を書き入れてもいい会員カードを受け取る、ということを明らかにした。 4 The cafe has a passageway with a room on each side. この喫茶には通路があって、その両側に一つずつ部屋がある。 5 "This one is for 18s and over, and that one is for 16s to 18s," an employee tells AERA s reporter,pointing to the respective rooms and referring to the ages of their inhabitants. "Please take a look around." 「こちらの部屋が十八歳以上、あちらの部屋が十六歳以上十八歳未満です」と、従業員が、それぞれの部屋を示し、部屋の中の人たちの年齢に言及しながら、AERAの記者に語る。 「どうぞご覧になってください」 6 A two-way mirror encloses the room so those in the passageway can see what s happening inside while the occupants are unable to look out and learn who s peering at them. Inside the rooms are numerous young women occupied with such tasks as fiddling with their mobile phones or doing their faces. If the member sees a woman he likes, he lets a cafe employee know and a private room meeting is arranged. The weekly s hack picks a 16-year-old girl called Miyuki whose most notable feature is a face filled with piercings. マジックミラーが部屋を囲んでいるため、通路の中の者たちは、内部で何がおこっているのかを見ることができる。 一方、部屋の中の者たちは、外を見れず誰からじっと見られているのかわからない。 部屋の内部には、携帯電話をいじったり化粧をしたりといったことに励んでいる、非常に多くの若い女性がいる。 会員が好みの女性を見つけたときは、彼は喫茶の従業員に知らせ、個室での出会いが手配される。 この週刊誌の売文屋は、十六歳のミユキを選ぶ。ミユキのもっとも目立つ特徴は、ピアスでいっぱいの顔である。 7 Miyuki soon agrees to go out for a bite to eat. There s more payments to the cafe involved here, with a 1,000 yen charge for talking to one of the girls, another 3,000 yen for taking the girl outside the establishment and then a 5,000 yen charge handed over directly to Miyuki for "transport fees." The member also pays for whatever expenses are to be incurred. ミユキはすぐに、外食して軽い食事を取ることに同意する。 仲介した喫茶には、さらに金が支払われる。少女たちの一人と話すために料金千円、その少女と喫茶の店外で話すためにさらに三千円。そして「交通費」として、料金五千円がミユキに直接手渡される。また、会員は、支出となるどんな高値でも支払いをする。 8 Miyuki says she has a boyfriend, refuses to engage in prostitution and only leaves the cafe with guys she thinks can be trusted, usually the weaker-looking types. ミユキは自分にはボーイフレンドがいるといい、売春行為は拒否し、信用できる男――普通、弱そうに見えるタイプ――と一緒でなければ喫茶から外出しない。 9 "There s no way I d ever work as a nightclub hostess or in a soapland (brothel)," she tells AERA. "With this caper, I don t have to treat the guy like a customer and it s not really dangerous. There are some guys out there who ll even pay 10,000 yen just for the chance to have a chat to a young girl. There are loads of schoolgirls who go to the cafes." 「ナイトクラブのホステスとしてや、ソープランド(売春宿)で働くなんて、とんでもない」と、彼女はAERAに語る。 「この行為では、男を客扱いしなくていいし、そんなに危険じゃありません。若い少女とおしゃべりをする機会のためだけに、一万円も払う男たちがいるのです。カフェに来る女子学生はたくさんいます」 10 While Miyuki may not be prepared to sell her body, plenty who frequent the encounter cafes have few such qualms. Many say encounter cafes are serving to encourage illicit prostitution. But crimefighters say there s little in the Law Regulating Adult Entertainment Businesses that allows them to prosecute encounter cafes because they are on the surface acting only as places where the opposite sexes can meet. ミユキは体を売るつもりはないのかもしれないが、しょっちゅうこの出会い喫茶を訪れる者の多くは、そのような良心のタガをほとんどもっていない。 多くのものが、出会い喫茶は違法売春を行わせるため、という。 しかし、犯罪と戦う人たちは、出会い喫茶を起訴することを許可する「風俗営業等の規制及び業務の適正化等に関する法律」で対処できることは、ほとんどないという。なぜなら出会い喫茶は、表面的には異性と出会える場所としての役割を果たしているだけだからだ。 11 "If we can prove that the cafes are paying these women to go there, or that prostitution is occurring,we can get them under the Prostitution Prevention Law, but that s about it," a spokesman for the Metropolitan Police Department says. もし出会い喫茶が女性に来店するよう支払いをしたり、売春が行われたりしていることを立証できれば、売春禁止法のもとで連中を捕まえられるのですが、まあ、そんなところです」と、警視庁の広報者は言う。 12 Women who go to the encounter cafes are unified in their rapidity to deny being employed there. And the operators back them up. 出会い喫茶へいく女性たちは、口をそろえて即座に喫茶店に雇われていることを否定する。 そして経営者は、彼女たちの考えを支持する。 13 "We re nothing more than manga cafes that women can use for free," one owner says. 「私どもは、女性が無料で利用できる漫画喫茶にすぎません」と、あるオーナーは言う。 14 Experts on the netherworld say encounter cafes got their break from around 2004 as authorities began cleaning up adult entertainment districts like Tokyo s Kabukicho, which has made it more difficult for traditional sex businesses to operate as openly as they used to. There are now over 100 encounter cafes across Japan, including 10 in Kabukicho alone. 当局が東京歌舞伎町などの大人の歓楽街の一掃をはじめた――そのためそれまであったセックス産業が以前ほどおおっぴらに経営できなくなった――2004年のあたりからブレイクした、と裏社会の専門家は言う。 現在、日本には百件を超える出会い喫茶があり、歌舞伎町だけでも十件ある。 15 There are alarming trends evident in the cafes, too, according to adult entertainment expert Fumio Iwanaga. 成人娯楽の専門家・岩永文夫によると、出会い喫茶には歴然とした、憂慮すべき動向がある。 16 "It s a bit shocking to see just how many ordinary women are going to these places. They re most average women of a type you wouldn t normally associate with the adult entertainment business as it has existed until now," Iwanaga says. 「どれだけたくさんの普通の女性がああいった場所にいくということを知るだけでも、かなりのショックです。彼女たちはたいてい、これまで存在してきたような成人娯楽産業と結び付けて考えられはしないタイプの、普通の女性です」と、岩永は言う。 17 Encounter cafes appeal to women because there is no need for them to butter up men because they re paying customers, which is also the appeal for males because they can go to the establishments thinking they re chatting up ordinary women they have a chance with and not seasoned professionals. 出会い喫茶は女性に受けた。彼女たちは、客扱いをするために男たちに取り入らなくていい これはまた男性にも受けた。なぜなら彼らは、熟練したプロとではなく、運良く普通の女性とおしゃべりをしていると思いながら喫茶店に行けるからである。 18 Ryoko, a 23-year-old regular at Tokyo encounter cafes, sure has no problems with making use of them. 東京の出会い喫茶の常連である二十三歳のリョウコは、出会い喫茶を利用することを、問題と思っていない。 19 "Most of the girls coming here are sellers (prostitutes)," she tells AERA. "The going rate is about 30,000 yen a shot. It s pretty easy you go out for a while with some sleazy guy, get a bit of spare change and it s over." (By Ryann Connell) 「ここにくる少女の多くはウリ(売春)目的です」と、彼女はAERAに語る。 「相場は一発あたり約三万円です。とても簡単です。ろくでもない男と一緒にしばらくデートして、駄賃をもらって、それで終わりです」(ライアン・コネル記) 20 (Mainichi Japan) May 15, 2008 (毎日 日本) May 15, 2008 参考資料 岩永文夫 http //www.tsutaya.co.jp/artist/00419775.html 拡散状況 CRNジャパン(日本の子供の人権ネットワーク) http //www.crnjapan.com/abuse/aarticles/2008/en/20080515-encounter_cafes.html Japanese Style Noodles http //www.japanesestylenoodles.com/waiwai/archive20080515 SeekJapan http //www.seekjapan.jp/news/other/2008-05-16 WaiWai Archive http //www.mainichiwaiwai.com/waiwai/2008/05/ 英語サイト http //www.docudharma.com/diary/6713/ http //hot-gossip.info/node/175 http //referenceblog.canalblog.com/archives/2008/05/15/9208601.html 関連ページ CRNジャパン(日本の子供の人権ネットワーク) Japanese Style Noodles SeekJapan WaiWai Archive WaiWaiの記事を転載した英語サイト：D WaiWaiの記事を転載した英語サイト：H WaiWaiの記事を転載した英語サイト：R 優先的に翻訳すべき記事リスト 毎日新聞英語版から配信された記事2008年

• 　名前はまだ無い。 - HTML

  https://w.atwiki.jp/403_forbidden/pages/50.html

  　漫画が好きです。アニメ･小説についても思ったコト書いてみたい。 　んで、だーっとエクセルみたいに表示させるのが目的。これは走り書き。一生､走り書きの侭のような気がする。好きな作品云々と言うよりもlog的の要素が高い。 矢沢あい [■少女マンガから漂う地方色について考えてみた。ttp //d.hatena.ne.jp/asa-ko/20050925/p1] 対応するregion、endregionプラグインが不足しています。対になるようプラグインを配置してください。 　P.N.の由来も凄く興味深かった｡まとめるときは全部wikiやら何やら参考にしてみよう。（但し全部信じない。） 　それはともかく、『NANA』のゲーム面白そうだな(笑)｡ 「ゴクジョッ。」は女版の稲中卓球部である！ 対応するregion、endregionプラグインが不足しています。対になるようプラグインを配置してください。 [銀のロマンティック・・・わはは ttp //mitaimon.cocolog-nifty.com/blog/2010/02/figure-comic.html] 対応するregion、endregionプラグインが不足しています。対になるようプラグインを配置してください。 尼レビュ 　内容もきちっと読んでるだろうに、極々真面目にエロ視点でしか書いてないのが一本義通ってる。 [巨費をかけてｒｙ http //coolsummer.typepad.com/kotori/2005/07/9101112.html] [マイナーだがガチで面白い漫画教えろ http //blog.livedoor.jp/kinisoku/archives/1646264.html] カテゴリ [web] - trackback- ????年??月??日 ?? ?? ?? 名前 コメント

• Mount&Blade : Warband @ wiki - 訳文/108Heroes/info_pages

  https://w.atwiki.jp/warband/pages/485.html

   ip_0.wenzitihuan|00.Translation work ip_0.wenzitihuan_text|The translation work is not good enough, and there still remain lots of text in companions’ stories and heroes’ stories in mind reading mission. We need more time to do this, and will try our best. If you can give any help, please connect me in MODDB/Nexusmods or workshop in Steam. ip_1.xiangxing|01. Nature system ip_1.xiangxing_text|Except for character, each hero has its own belief, which refers to its nature. According to description in “the Water Margin”, all hero’s nature can be divided into three kinds, i.e. loyalty, chivalry and bravery. In this game, nature has an influence to determine the possibility to recruit some particular hero in tavern. Besides, it also has an influence on interactions with lords, such as sending gifts, donating, blacksmithing, recruiting, converting and award for tasks. Same nature will provide an enhancement on the effect of these interaction. ip_2.zhiye|02. Career system ip_2.zhiye_text|Every hero has 1 or 2 careers, you can check it out in report or the character page. Every career will effect in battle while the hero is “on fire”, except Fisher and Taoist. Heroes can get career EXP by “on fire” status or working on the right center buildings. The higher REQ attribute the hero has, the more chance or effect will be. There are 15 careers total, here’s the list ^[Merchant] EFF get money, BUD Market, REQ INT ^[Farmer] EFF get food, increase prosperity, BUD Farm, REQ CHA ^[Warrior] EFF stop enemies (blue sign), BUD Camp, REQ STR ^[Artisan] EFF refill allies’ ammo and shield (player need press H), BUD Workshop, REQ INT ^ [Herder] EFF heal ally horses HP (player need press H), BUD Stable, REQ AGL ^[Titan] EFF reduce enemies morale and get chaos(green sign), BUD Training, REQ STR ^[Actor] EFF increase ally morale and make some ally heroes get excited too, BUD Downtown, REQ CHA ^ [Academic] EFF make enemies surrender, BUD College, REQ INT ^[Barkeeper] EFF make enemies or hero get drunk, 100% chance to capture (except bandit hero), BUD Tavern, REQ CHA ^ [Fisher] EFF make enemy heroes dead together while he's dying, BUD Fishery, REQ AGL^ [Thief] EFF invisible and steal enemies' equipment, BUD None, REQ AGL ^ [Doctor] EFF heal allies, BUD None, REQ INT ^ [Playboy] EFF make female enemies become allies(heart sign, 100% chance for enemy beauty), make female ally stronger, BUD None, REQ CHA ^ [Beauty] EFF make male enemies become allies(100% chance for enemy playboy) BUD None, REQ CHA ^ [Taoist] EFF enemies around him will take damage by percent per few second(red aura), but when he get excited, the aura will disappear, BUD None, REQ INT.^^Player can get one of first 9 career in the beginning, and then can learn the second from Han Bolong in Dong Jing tavern. ip_3.jianzhu|03. Building system ip_3.jianzhu_text|Each settlement has its own buildings. A city can have 10 buildings, and castle or fortress can have 7 buildings. These buildings can provide resources for the settlement. With your management and heroes’ work, these building can develop its scale. Buildings in bigger scale can provide more resource, and a more capable hero can make a larger increment on the building’s scale. ^If you are a governor of village, you may have the right to develop some building in the city which your village is subordinate to. If you have a city, a castle or fortress, you may appoint a hero in your team to work in it. If you are a king or field marshal, you may appoint governors of all cities as you please. Heroes will choose a suitable working post by themselves. Heroes’ profession and properties will make a special effect on buildings. Detail information can be found in building menu. ip_4.chengchi|04. New attributes for settlement ip_4.chengchi_text|Buildings have varied effects on attributes of settlements. Here the attributes are listed. ^Money financial income is used for recruiting soldiers, salary of lords, army equipment and so on. Food Food is consumed by soldiers daily, insufficient food supply will cause morale decline, casualties and fleeing. ^Population widely affects the attributes increments of settlement. Prosperity affects money income and population increasing. ^Equipment requirement for recruiting advanced soldiers. The higher rank is, the more equipment will be need. ^Horse requirement for recruiting cavalry. Each cavalry will consume 1 horse. ^Reserve force point requirement for recruiting advanced soldiers. Each training will consume 1 point. ^As Mount Blade Warband has already established a complete economy system, setting values for new parameters for this mode may take a long-term testing. In order to preserve the balance, most of new properties and attributes are set as a positive-related bonus, which means a high value will make a significant help, but low value may cause little negative effect. After evaluating the effect in this edition, the negative effect may be enhanced. ip_5.teji|05. Star skill ip_5.teji_text|The 108 heroes have their own star skills, you can check it out in their character info page. 5 kings and 100 vassals in Han, Liangshan, Zhao, Sha, Shu, plus 3 girls in companions which was Gu Dasao, Sun Erniang, Hu Sanniang are 108 heroes in the novel. ip_6.dantiao|06. Duel System ip_6.dantiao_text|If the strongest troop in enemy party are stronger than your party, they will call for a duel in the beginning of the battle. If not, player can also call for a duel. When the hero win the duel, he will get “on fire”, increase str and agl by temp, and the morale of his party will get higher. If the hero lose, his soldier in his party will get chaos or surrender. ip_7.gaoang|07. On Fire ip_7.gaoang_text|When a hero win the duel, or kill enough enemies, or was encouraged by an actor, he will get an “on fire” status. On this status, he will get a temp increase of attribute, recover hp. His career skill will effect and will speak his own dialog. ip_8.zhanchang|08. Sign in the battle ip_8.zhanchang_text|Chaos green sign;^ Immobilize blue sign;^ Fall in love Flower sign; ^ Taoist skill Red aura. ^ The higher leadership skill the leader was, the longer the status last. ip_9.shenqi|09. Legendary Item ip_9.shenqi_text|There’s purple color text in Legendary Item, and hero will get buff when equipped it.^ Player can get legendary item after battle by chance, or on duel to loot, or in some secret chest, or in the mission, or by some NPC.^ The stronger enemy is, the more chance you will get the unique loot. In addition, looting skill of main party also effect the chance.^ If player has not get unique loot for a long time, the chance will grow up slowly. ip_10.chenghao|10. Title system ip_10.chenghao_text|If you insist on doing something, you will get the corresponding title. These titles will help you do this better. ^ Players can view the title in the report menu, or quest pages. ip_11.huweidui|11. Guard party "ip_11.huweidui_text|If vassal has town or castle, he will recruit guard parties. Player can get guard party from mayor if joined a faction. Guard parties will demobilize the prisoners for money, and get new troops. The higher official player has, the more soldier the guard party can take. " ip_12.teshubingzhong|12. Special unit ip_12.teshubingzhong_text|Every contry has their own special unit. Player can not capture them by battle. Just talk to mayor of your faction, he will tell you what you need to train. ip_13.guanzhi|13. Official system ip_13.guanzhi_text|Players can gain merits when they join the country, and enough contribution can increase their official positions. ^Improve the official position to obtain attributes, increase the upper limit of the troops, issue squats, obtain special equipment for the country, and so on. ^ Players can be divided into official positions after independence, and different official positions have different effects. ip_14.waijiao|14. Diplomatic system ip_14.waijiao_text|When the player joins other faction, he can advise the king's diplomacy. ^ After the player independence, he can find an official or prime minister to carry out a series of diplomatic functions. ^After the player independence, he can deliver military orders to the subordinates in the camp menu. ip_15.qita|15. Other system ip_15.qita_text|There are so many functions and systems are from 108 Heroes in classic M B, so I don’t introduce them in the Warband M B info pages. You can just play and find it. If you have any questions, leave the message in NexusMODs/moddb/steam. Have Fun! ip_16.kuaijiejian|16. Hot keys ip_16.kuaijiejian_text|[M] on the battle Open/close the mini map;^[T] on the battle Show the morale and killing rank;^[H] on the battle career skill (Artisan/ Herder/Doctor);^[Y] on the map speed on (if Dai Zong is in your party);^[U] on the map hiding (if Shi Qian is in your party);^^If your own faction has enough vassals in Shu, when you on the battle [U] to start formation, [J] formation forward, [N] cancel the formation ip_17.shenqichengzhang|17. Suffix of legendary weapons ip_17.shenqichengzhang_text|Every legendary weapon has random suffix, which was Metal, Wood, Water, Fire, Earth. Every legendary weapon can get EXP by killing. The weapon has random max level, the most max level is 4, which needs 700 exp.^The first feature of legendary weapon is decide by the suffix, it should get 25 exp to unlock it. There also are two kinds of legendary weapon, one is only suitable for Taoist career, and another is not.^The 2-4 feature is random, which need 100/300/700 to unlock. And the value is depend on the color of the feature, which was green-blue-gold-orange.^^Warning Due to M B engine restrictions, you’d better DO NOT equip a same kind of item in one troop. For example, if player equip “Moon sword[Metal]” and “Moon sword[Wood]” at the same time, the “Moon sword[Wood]” won’t get any exp, and the skill of the feature won’t effect. ip_18.jingjichang|18. Tournament ip_18.jingjichang_text|Player can get special reward by join tourament for few times. ip_19.haohanchenghao|19. Titles of Heroes ip_19.haohanchenghao_text|In addition to the players, the hero can also get the corresponding title through different ways. After winning the title, there will be certain effects and random attributes and skill rewards. ^The hero can gain military strength by killing the enemy, and the value of the military power can be increased to obtain a random attribute reward. Military strength values can be viewed after the war and in the quest pages. ip_20.junzhixitong|20.Military system ip_20.junzhixitong_text|You can find Military Appointment menu in the camp or before battle.^[Commander] Player controlled character. When you learned mind reading and it’s not on CD, you can click the button to change commander before battle. The Leadership Level of player can increase whole party’s attribute, which have 10% effect. If there’s no leader in one class, the effect is 25%.^[Advisor] Party can use advisor skill on the battle. This function is unavailable in this version.^[Leader] Increase ATK/DEF of the class, take 50% effect.^[Attacker] Increase ATK of the class, take 20% effect.^[Defender] Increase DEF of the class, take 20% effect.^Besides, the relation of Leader/attacker/defender can also buff the class, take 20% effect. If they have same native, they will get more relation addition after battle. You can move your mouse to the number to check the percent. ^Leadership Level There are 5 level of leadership D, C, B, A, S. Each level also contain 3 level, which like C-, C, C+. There are two way when hero reach to A, power up ATK or DEF, like A+[A], or A-[D]. There are three way when hero reach to S, increase or decrease damage from cavalry /infantry /archers. Like S-[A]CAV, means leadership is S-, more ATK, and take extra damage to cavalry.^Heroes will get more leadership EXP if the soldier in his class kill more troops. The higher level troop is, the more EXP heroes will get. You can click the “Leadership Level” text to switch it to “Leadership EXP”. When the heroes in your party can level up to A or S, you should level it up manual and choose the direction. ip_21.bingzhongshixing|21. Leadership Level ip_21.bingzhongshixing_text|- Leadership level is effect not only player’s main party, but also every party. ^- If the troop equipped ranged weapons, he is the archers class. Other troops who have horses, are cavalry class, The rest are the infantry class.^- Every special unit has extra buff, such as Xu Ning Gold Lancers, which will inflict extra damage to cavalry.^- The default name of team “infantry/cavalry/archers” is just a name, not class. If you put a horseman in this team, he will get cavalry buff from leader/attacker/defender, not infantry buff.^- Troops in center or guard party will also get buff from his lord or leader.^- Heroes will also get the buff.^- Heroes only get 1/2 leadership EXP than soldiers by killing.^- The higher leadership skill the hero is, the more quickly leadership exp he get. ip_22.zhanqianbuzhen|22. Battle settings ip_22.zhanqianbuzhen_text|You can find Battle Setting menu in the camp or before battle. Make sure you set the leader of the team first.^ [Team Setting] Change the team order. ^[Formation Order] Click the team name to change the position, click the apply check to enable the form. ^[Grounp Leaders] Click the leader name on the right to switch the team. ip_23.duxinshuqianghua|23. Mind Reading power up ip_23.duxinshuqianghua_text|When you have been defeated on the battle, it will not come to an end. You can continue watching or quit.^ Press [Tab] key to quit the battle; Press [Space] key to change watching mode;^ Click [mouse left/right] button to switch heroes;^ Press [WASD] key to rotate camera; Press [Direction] key to move camera;^ Press [Enter] key to choose hero; Press [Left Ctrl] key to close the tip message.^Tips you can only control hero after you learned the mind reading, and you can only control the heroes in your party. ip_24.shenqiqianghua|24. Refine stones ip_24.shenqiqianghua_text|Refine stones unlock the higher exp level, the max level is 4, which is 700 exp.^Power up stones upgrade your legendary weapons' first feature by using power up stone, you should get at least 25 exp to unlock the feature. you can not upgrade the feature which was already orange color.^Reroll stones reroll your legendary weapon’s 2-4 random feature by using reroll stone, you should upgrade it to max level first, after my work finished, it will lose a few exp. Please put the weapon into first 3 inventory slots.^Owner stones set your legendary weapon’s owner by using owner stone, you should upgrade it to max level first. One kind of weapon can only set owner by 3 heroes at most, and one hero can only set 2 owner special item at most. Please put the weapon into first 3 inventory slots.^Besides Tang Long, Hou Jian and Huangfu Duan can also set armor or horses’ owner.^You can check your stones in collection page. ip_25.quanguowudaodahui|25. Tournament of China ip_25.quanguowudaodahui_text|You can join Tournament of China every month, it’s a 5v5 game, and if you win 3 of 5, you win.^- You can join the game if you joined a faction, or your party has more than 4 companions, or your own kingdom has more than 4 vassals.^- There are 3 fights Quarterfinals, Semifinals, and Finals. ^- The rule is as same as duel on the battle, ammo is only 10, star skill and Taoist skill will enable. Time limit is 90s, when time’s up, the hero who has more percent hp will win.^- Player can control hero by mind reading.^- If you win the finals, you will get lots of reward, and have chance to get extra reward from host.^- You can pay for a spy to watch opponent setting.^- You can also play the mode in main menu “Super Smash Mod” ip_26.zhiyexitong2|26. Extra career ip_26.zhiyexitong2_text|Player can get one of first 9 career in the beginning, and then can learn the second from Han Bolong in Dong Jing tavern.^- You should learned Mind Reading before you talk to Han Bolong.^- You can learned extra career if your career have been level 3, and there’s a hero who has level 4 career in your party. It will spend a whole day to learn it.

• Vocaloid English & Romaji Lyrics @wiki - trick and treat

  https://w.atwiki.jp/vocaloidenglishlyric/pages/497.html

  【Tags Len OSTER project Rin T tT】 Original Music title trick and treat Romaji music title trick and treat Music Lyrics written, Voice edited by OSTER project Music arranged by OSTER project Singer(s) 鏡音リン (Kagamine Rin), 鏡音レン (Kagamine Len) Click here for the original Japanese Lyrics English Lyrics (translated by blacksaingrain)： In the heavy heavy fog, bewitching voices resound through Come here, Come here. Come to a deeper place of the forest Hurry, Hurry, Quicken your pace and come near as you can Come here, Come here, Now, let s play and have a lot of fun A cinnamon stick is a magic stick Swing it only once, and the syrup would increase Forgetting all even bitterness, you re now in a sweet dream Under a canopy, you drop off into sleep Just be in a hypnotic trance of illusion If you take off the blindfold, it ll take the fun out of everything Watch your step. I ll lead you by the hand Put yourself into my hands at once. Come on! I can t remember when I found you became to show and hide the edge of suspicious in your mind You came to realize an indulgence named "love" never exsisted You peek at a lantern through the blindfold And shadows lamplit by it make you break out in goose bumps Aw-oh. How naughty you are! It s too early to be awakened If your blindfold was taken off, shall I make you blind? Come on. Just show me your sweet smile We ll put on fur again and put on a play again Hey, give me that! What s the matter? Why are you shivering and staring at us like that? Would you like me to treat you to some hot milk? Now, come in, it s so warm in here All that I ask of you in return is what you have in your pocket Give it to me at once! Hey, come on! Right now! Flinging off a rule of choosing between two things We treat you to tricks and suck the sweet syrup Give it! Give us! Now! At once! Give it to us! Romaji lyrics (transliterated by blacksaingrain)： fukai fukai kiri no naka youen ni hibiku koe oide oide kono mori no motto oku fukaku made hayaku hayaku isogiashi de dekiru dake chikaku ni oide oide saa tanoshii asobi wo hajimeyou shinamon suthikku wa mahou no sutekki hitofuri suru dakede shiroppu ga fueru nigasa sae wasurete amai yume no naka tengai ni mamorarete nemuri ni ochiru gensou no saimin ni oboreta mama de ii mekakushi wo hazushicha omoshiroku nai desho ashimoto gochuui sono te wa boku ga hiku kara sono mi wo ima sugu ni yudanenasai saa itsu kara ka ginen no ha ga mie kakure suru ai to iu menzaifu nado wa sonzai shinai to mekakushi no sukima kara nozokimita rantan ga utsushi dashita kage ni omowazu mi no ke ga yodatta oya oya warui ko mou omezame desu ka? mekakushi ga toketa nara moumoku ni shiyou ka? hora hora warainasai kawaii okao de kegawa wo mata kabutte "...nee, choudai?" doushita no sonna me de karada wo furuwasete atatakai miruku de motenashite hoshii no? saa naka ni ohairi koko wa totemo atatakai mikaeri wa poketto no nakami de ii kara choudai hayaku hayaku nee hora ima sugu ni nishatakuitsu no gensoku wo kanagurisute mayakashi de motenashite amai mitsu wo sutte choudai yokose hora ima sugu ni choudai

• The Cock Rock Shock Pop @ wiki - BUCKCHERRY

  https://w.atwiki.jp/thecockrockshockpop/pages/49.html

  http //www.buckcherry.com/ http //www.myspace.com/buckcherry member 　( L to R ) Xavier Muriel drums Stevie D. guitar Jimmy Ashhurst bass Joshua Todd vocal Keith Nelson guitar ex-member Yogi guitar Jonathan　Brightman bass Devon Glenn drums All Night Long Fifteen Time Bomb Buckcherry LiveLive @ Nippon Budokan, Tokyo Feburary 19th 2015 thu Live @ Saitama Arena, Saitama, Japan October 19th 2008 Sunday Live @ Rockford Speedway ( Wing Ding ), Rockford, IL, US May 27th 2007 DVDLive In Jones Beach, NY July 8th 2008 All Night Long 2010年8月3日　( HD ) 1. All Night Long / 2. It s A Party / 3. These Things / 4. Oh My Lord / 5. Recovery / 6. Never Say Never / 7. I Want You / 8. Liberty / 9. Our World / 10. Bliss / 11. Dead Fifteen 2005年10年5日 1. So Far / 2. Next 2 You / 3. Out Of Line / 4. Everything / 5. Carousel / 6. Sorry / 7. Crazy Bitch / 8. On Set / 9. Sunshine / 10. Brooklyn / 11. Broken Glass / 12. Back In The Day / 13. Pump It Up Time Bomb 2001年3月14日 1. Frontside / 2. Ridin / 3. Time Bomb / 4. Porno Star / 5. Place In The Sun / 6. ( Segue ) Helpless / 7. Underneath / 8. @*# ! My Wrists / 9. Whiskey In The Morning / 10. You / 11. Slamin / 12. Fall / 13. Good Things　[ JP bonus track ] / 14. Open My Eyes　[ hidden track ] produced by　John Travis Buckcherry 1999年 4月21日 1. Lit Up / 2. Crushed / 3. Dead Again / 4. Check Your Head / 5. Dirty Mind / 6. For The Movies / 7. Lawless And Lulu / 8. Related / 9. Borderline / 10. Get Back / 11. Baby / 12. Drink The Water / 13. Late Nights In Voodoo　[ japan bonus track ] produced by　John Travis Steve Jones Live Live @ Nippon Budokan, Tokyo Feburary 19th 2015 thu 1. SE / 2. Lit Up / 3. Broken Glass / 4. All Night Long / 5. Somebody Fucked With Me / 6. Sorry / 7. Say Fuck It / 8. Ridin / 9. Gluttony / 9. Crazy Bitch http //www.vamparkfest.com/ Live @ Saitama Arena, Saitama, Japan October 19th 2008 Sunday 1. S.E. / 2. Dirty Mind / 3. So Far / 4. Broken Glass / 5. Lit Up / 6. Rescue Me / 7. Don t Go Away / 8. Too Drunk ... / 9. Next 2 You / 10. Onset / 11. Everything / 12. Sorry / 13. Crazy Bitch Live @ Rockford Speedway ( Wing Ding ), Rockford, IL, US May 27th 2007 1. So Far / 2. Broken Glass / 3. Porno Star / 4. Fall / 5. Out Of Line / 6. Everything / 7. Sorry / 8. Crazy Bitch / 9. Next 2 You / 10. Ridin / 11. Onset / 12. Lit Up DVD Live In Jones Beach, NY July 8th 2008 Cure Fest 2008 1. Fall / 2. Next 2 You / 3. Too Drunk / 4. Everything / 5. Sorry / 6. Crazy Bitch

• elvis @Wiki - Chronicle Books 11

  https://w.atwiki.jp/elvis/pages/1320.html

  Learn to Love A Practical Guide to Fulfilling Relationships Mary Jaksch? Decoding Egyptian Hieroglyphs How to Read the Secret Language of the Pharaohs Joann Fletcher?Bridget McDermott? Collecting Art A Journal to Get You Started Glen Helfand?Genart? Pads for Pets Fabulous Projects for Your Furry, Feathered, and 'Phibious Friends Elizabeth Quinn?P. A. W. S.? Baby Gifts Simple Heirlooms to Make and Give Ethel Brennan?Laurie Frankel? 52 Fun Family Games (52 Decks) Lynn Gordon 52 Tips for Brides to Be (52 Decks) Lynn Gordon Wood New Directions in Design and Architecture Naomi Stungo? Booty Girl Pirates on the High Seas Sara Lorimer?Susan Synarski Honey From Flower to Table Stephanie Rosenbaum?Caroline Kopp? Everything Tastes Better With Bacon 70 Fabulous Recipes for Every Meal of the Day Sara Perry? Wonder Woman The Golden Age Les Daniels The Dog Park 20 Assorted Notecards and Envelopes (Delux Notecards) Frish Brandt? I'm Still Living (Collectible Postcards) Chronicle Books Gardenhome City Creating an Urban Haven Bonnie Trust DahanSean Sullivan Lauren Groveman's Kitchen Nurturning Food for Family and Friends Lauren Groveman?Jan Pietrobono? Sandra Gustafson's Great Eats London (Great Eats London) Sandra Gustafson? Michael Graves (Compact Design Portfolio) Julie V. Iovine?Marisa BartolucciRaul Cabra Cape Cod Stories Tales from the Cape, Nantucket Martha's Vineyard John Miller?Tim Smith? Hanukkah Lights Dian G. Smith?Joann Kitchel? Everlasting Stories A Family Bible Treasury Lois Rock?Christina Balit? Mama, Do You Love Me? Nesting Blocks Barbara M. Joosse? The Knot Book of Wedding Flowers Carley Roney? The Amazing Spider-Man Marvel? Saveur Cooks Authentic Italian Savoring the Recipes and Traditions of the World's Favorite Cuisine Saveur? The Nature of the Chinese Character Gifts from the Earth Barbara Aria Eileen Gray (Compact Design Portfolio) Penelope RowlandsMarisa BartolucciRaul Cabra My Birthday Five Years of Celebrations Lizi Boyd?Debra Lande?Carey Jones Bed Breakfast Ireland A Trusted Guide to over 400 of Ireland's Best Bed and Breakfasts (Bed Breakfast Ireland) Elsie Dillard?Susan Causin? Learn to Power Think A Practical Guide to Positive and Effective Decision Making Caterina Rando? Worst Case Scenario Holiday Cards Joshua Piven Learning Block Books Numbers, Colors, Shapes, Animals Susan Estelle Kwas The Halloween Activity Book Creepy Crawly, Hairy Scary Things to Do Mymi Doinet?Benjamin Chaud? At the Japanese Table New and Traditional Recipes Lesley Downer? Yiddish Wisdom for Marriage Rae Meltzer?Kristina Swarner? Richard Sapper (Design Briefs (San Francisco, Calif.).) Michael WebbMarisa BartolucciRaul Cabra Super Smoothies Deck 50 Recipes for Health and Energy Sara Corpening Whiteford?Mary Corpening Barber Wonder Dogs (Deluxe Notecards) Laura Ljungkvist? Zig Zag Zen Buddhism and Psychedelics Stephen Batchelor?Allan Hunt Badiner?Alex Grey? Souvenirs De Voyage Travelers Keepsake (Hit the Road) Louise Kollenbaum? Elvis Includes 14 Genuine Reproductions Chronicle Books Spider-man Journal (Journal) Marvel? Tulips Journal (Wire-O Journals) Deborah Schenck Hydrangea Journal (Wire-O Journals) Deborah Schenck Baby's Room Ideas and Projects for Nurseries Jessica Strand?Jennifer Levy? The Merchant of Marvels and the Peddler of Dreams Frederic Clement?Emma Cole? Roses in Bloom (Deluxe Notecards) Deborah Schenck The Il Fornaio Baking Book Sweet and Savory Recipes from the Italian Kitchen Franco Galli? Sandra Gustafson's Great Sleeps London (Great Sleeps London) Sandra Gustafson? Weekends With Kids Activities, Crafts, Recipes Hundreds of Ideas for Family Fun Sara Perry?Kathlyn Meskel?Quentin Bacon? Paradise on Ice 50 Fabulous Tropical Cocktails Mittie Hellmich Jewish Holidays and Sabbath Journal (Spiritual Journeys) Edward Hoffman?Jeffrey Fisher The Gryphon Address Book Nick Bantock The Bad Girl's Little Pink Book Cameron TuttleSusannah Bettag Sweet Dreams 36 Bedtime Wishes Cooper EdensSheryl Abrams? Addison Journal Stripes (Small) (Journals) Julie Addison Addison Journal Polka Dots, Small (Journals) Julie Addison Addison Journal Stripes, Large (Journals) Julie Addison Addison Journal Diamonds, Large, Pink (Journals) Julie Addison A Place in the World Called Paris Steven Barclay? Will You Still Love Me? Jean Baptiste BaronianNoris Kern The Fairy Tale Catalog Everything You Need to Make a Fairy Tale Sally Gardner? Who Am I? Wild Animals! Alain Crozon?Aurelie Lanchais? Christmas Is Coming! Claire Masurel?Marie H. Henry? Wanderlust 30 Postcards for Insatiable Travelers Troy M. Litten The Essential Meditations 50 Exercises to Focus the Mind (Gift Box) Chronicle Books The Perfect Calm 50 Exercises to Soothe Mind and Body (Gift Box) Chronicle Books Mensa 75 More Word Puzzles Chronicle Books Stamp It! The Ultimate Stamp Collecting Activity Book Leslie Jonath? The Gryphon The Art of Nick Bantock An Extraordinary Stationery Collection 30 Sheets and Envelopes Nick Bantock Sleepover Journal A Light-Pen Diary (Between Girls) Jon Kauffman?Ali Douglass? Eames Sketchbook (Eames) Charles EamesRay Eames Potato Salad Fifty Great Recipes Barbara Lauterbach?Reed Davis? The Big Book of Breakfast Serious Comfort Food for Any Time of the Day (Chronicle Big Book) Maryana Vollstedt? Wanderlust Airmail Journal Troy M. Litten Eames Textile Patterns A Stationery Collection 30 Sheets and 30 Envelopes [Letter Set] http //logbord.lolipop.jp/asin/Books/0811833402/? Charles EamesRay Eames Wanderlust Journal Troy M. Litten The Soups of France Lois Anne Rothert? At Home With Friends Michele Adams?Gia Russo? Stylepedia A Guide to Graphic Design Mannerisms, Quirks, And Conceits Steven HellerLouise Fili? Carousel Animals Artistry in Motion Gary K. Wolf?Tobin Fraley? Superman Fold and Mail (Super Friends) Inc. DC Comics? Wanderlust Walk Signs Journal Troy M. Litten Parlour Magic Stacking Boxes I Love You (Parlour Magic) Wendy Addison Wonder Woman Fold and Mail Stationary (Fold and Mail Stationery) Inc. DC Comics? Retreat Box, Calm 6 Bags of Peppermint Chamomile Tea, t Sticks of Apple Incense, Incense Holder, 6 Rituals Cards, and 1 Instruction Card (Refresh and Excite) Chronicle Books Living Modern Bringing Modernism Home Andrew Weaving?Lisa Freedman?Graham Atkins Hughes? From Fields of Fire and Glory Letters of the Civil War Rod Gragg? Pup Deborah Samuel? 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• 2dogslink @ ウィキ - Detail: Truth of two loyal tsunami dogs Sendai Japan

  https://w.atwiki.jp/2dogslink/pages/4.html

  Translation two dogs of Arahama Sendai-city TOP page http //www18.atwiki.jp/2dogs/pages/1.html f： - ｜T： - ｜Y： - 時間の流れ日本語版はこちら http //www18.atwiki.jp/2dogs/pages/29.html Detail Truth of two loyal tsunami dogs Sendai Japan Update on (Sun) February 10th 2013. Posted by Mika (2dogs, tottorimiyagi, mii) March 11, 2011. When the tsunami came, the moment the real dog owner Mr. O heard the tsunami warning, he turned his home, and he took his two dogs (Mei and Lee) and took refuge to the fives floor in Elementary School. Soon after that, his house and his cell phone were washed away by the tsunami. http //www.youtube.com/watch?v=VQhJBpoA1Eo sns=em March 12, 2011. Dogs owner joined the volunteer fire department, he was told "There is some dog food for a week-10 days in Elementary School.", so he left two dogs in Elementary School, and he went to the work of the Volunteer fire department to help other people. Until March 12, 2011, two dogs were chained in Elementary School, but it seems that someone lost the chaine... March 13, 2011, 4-5 pm Two dogs were filmed by Fuji TV crew. And Fuji TV reporter Mr. Yamashina and other Fuji TV crew did not rescue two dogs. And they left two dogs behind. Mr. Yamashina and other TV crew have NOT called a vet or other rescue. (I heard this information from Mr. Yamashina on the phone, in early October 2011. Mr. Yamashina is a reporter of Fuji TV.) (Mon) March 14, 2011, about 7 00 am. A picture of white dog was taken By Takuya Imai, he is a cameraman of Nikkei news paper, near the place where dogs filmed by Fuji TV. http //www18.atwiki.jp/2dogs/pages/61.html Certainly Lee (white dog) was still alive until March 14th, 2011, 7 11 am. (Mon) March 14, 2011, about 9 40 pm. Two dogs were aired on Fuji TV. http //www.youtube.com/watch?v=eRMawJtJ6cU sns=em And these two loyal tsunami dogs became famous all over the world. So many people were concerned about these two dogs, and posted "help these dogs! Why did not Fuji TV crew rescue these dogs?" everywhere. (Tue) March 15, 2011, about 1 33 pm. Kenn Sakurai posted a lie "We already have rescued two dogs" on his facebook page. with Fuji TV movie. But, there were NO photo of after two dogs were rescued, on his Facebook page. http //www18.atwiki.jp/2dogs/pages/75.html (Tue) March 15, 2011, about 10 32 pm. Sakurai started collect money, Sakurai was only using two dogs video on Facebook to collect money via PayPal. http //www18.atwiki.jp/2dogs/pages/2.html Kenn Sakurai has never rescued two dogs and any other dogs, Kenn Sakurai is obviously a scam. Kenn Sakurai has not shown any proof that he did in deed rescue any dogs, only talk. Kenn Sakurai is the president of Butch Japan. (Wed) March 16, 2011. Many Japanese/overseas blogger posted on their blog "two dogs were rescued by off road bikers! Thank you Mr. Sakurai!" without confirmation of fact. The rumour spread like wildfire. (Thu) March 17, 2011. Fuji TV(Japanese major media) reported false information “Two tsunami dogs were rescued by an animal protection group. White injured dog is receiving a drip infusion treatment.” without confirmation of facts. There were NO rescued dogs, and were only stray dogs, on Fuji s rescue report. http //www.youtube.com/watch?v=5awVBo7WSaw sns=em As of March 17th 2011, Fuji TV crew NO ONE has seen these two dogs were rescued, they have only heard a talk from Kenn Sakurai. http //www18.atwiki.jp/2dogs/pages/6.html In fact white setter named Lee has been missing since March 14th 2011. (Fri) March 18, 2011. Dogs owner found Mei(brown tan dog) in elementary school where near the place where dogs filmed by Fuji TV. But Lee(white dog) was not there. There after, dogs owner have been looking for Lee frantically. http //www18.atwiki.jp/2dogs/pages/35.html At that time, dogs owner was not knowing that his dogs were aired on the TV around the world and Sakurai s lies yet. Intently, Dogs owner has been looking for Lee frantically. (Fri) March 18, 2011, 12 14 am Global Animal posted an article. "Tsunami Dogs Safety Unconfirmed" http //www.globalanimal.org/2011/03/19/update-loyal-tsunami-dogs-safe-at-veterinarians/32822/ "Global Animal cannot recommend that donations be made to Kenn Sakurai on his Facebook page." Many people requested on Sakurai s Facebook page to provide some sort of proof of dogs were safe, but Sakurai deleted their posts, and Sakurai quickly blocked them from Sakurai s page. March, 2011. Major media reported false information "both dogs were rescued" around the world. http //www18.atwiki.jp/2dogs/pages/34.html Fuji TV(Japan), CNN, NPR, TYT, CBS, ABC(America), UK telegraph, ITN(England), Apple Daily(Hong Kong), Russian TV, more, major media reported “Two loyal tsunami dogs were rescued. Happy ending!” without confirmation of facts. But in fact, white setter has been missing since March 14th 2011. Of course, there were NO film/pictures of after dogs were rescued, on their report. There were only stray dogs, on their report. But as of February 10th 2013, major media still have NOT corrected their wrong reports. So many many people still believe that two loyal tsunami dogs were rescued by bikers who are Sakurai s friends. Even now(February 10th 2013), Sakurai s lies and major media s wrong report are hindering us from searching for the white dog. Major media reported false information, and they took part in a scam, and they are hindering us from searching for the white dog, but major media still have NOT corrected their wrong reports. A man said "Major media make money by publishing stories people want to know. It is not about the truth. Kenn Sakurai rescue was a good story, even if it s a lie." Do you want FAKE good story? I NEVER want to know any lies. I always want to know the TRUTH, whatever good or bad. I and many Japanese requested Fuji TV to correct their wrong report, but Fuji has never replied us. Maybe, if Fuji TV report the truth(white dog is still missing), then Fuji TV lose their popularity and Fuji lose the benefit. So Japanese media has not report the truth. It is mortifying! But we will do all know. March 19, 2011, morning. Global Animal interviewed Mr. Sakurai. The co-founders of GlobalAnimal.org spoke by phone with Mr. Kenn Sakurai. "He said that he himself did not rescue the dogs, but rather, friends of his who are off-road bikers did. Mr. Sakurai says he promised the bikers that he wouldn’t reveal the location of the veterinarian because they don’t want animal rescue organizations to take the dogs for their own fundraising purposes." http //www.globalanimal.org/2011/03/19/japans-animal-victims-truth-news-vs-rumors-facebook/32951/ March 19, 2011. Kenn Sakurai posted on his FB page. "I will send you the money back." http //www.examiner.com/dog-rescue-in-national/kenn-sakurai-japan-s-loyal-friends-rescuer-or-shameless-fraud March 21, 2011. Kenn Sakurai posted on his FB page. “We wish to have the more images on those dogs but simply impossible for now. No cell phone reception” March 22nd, 2011 Life with dogs posted an animal on their site. "When we were interviewed Friday, it was still believed that the dogs were safe, but pointed questions directed at Kenn Sakurai were going unanswered, raising suspicions about his fundraising activities on behalf of the dogs." http //www18.atwiki.jp/2dogs/pages/4.html March 24, 2011 2 14am Kenn Sakurai posted a lie on his facebook page "brown dog is having his or her leg and toe soared and lost consciousness." http //www18.atwiki.jp/2dogs/pages/51.html In fact the brown tan dog and her owner were already together on March 24, 2011. when brown tan dog was very fine. March 25, 2011. Global Animal posted an article. "Still No ‘Proof Of Life,’ Despite Rumor Mill" "There is still no independent, verifiable‘proof of life’for these two dogs beyond the word of one man who has never seen the dogs himself." http //www.globalanimal.org/2011/03/25/still-no-proof-of-life-for-loyal-dogs-despite-rumormill/33710/ March 26, 2011. A Japanese interpreter asked Kenn Sakurai "A Russian TV want to interview about two dogs, so could you tell us where dogs are?" on twitter. But March 28, 2011. Kenn Sakurai replied that "I promised not to tell. So sorry, I cannot tell you." on twitter. Kenn Sakurai has been trying to avoid from all interview and a meeting. Fuji TV, APF News(Japan), CNN(America), Russian TV, Akiko Fujimura(the owner of Nippon SPCA), and I(Mika), Numerous news agencies and others have tried (unsuccessully) to contact Ken Sakurai. Ken Sakurai has refused to provide any proof, and he refused to see me and Akiko and any other news crew. April 4, 2011. Kenn Sakurai started selling the charity T-shut on his facebook page (and butch Japan s facebook page). But i could not find any photo of Butch T-shut wherever on Internet, and where does the proceeds go? About the Donations and the T-Shirt matter http //www18.atwiki.jp/2dogs/pages/3.html May 21, 2011, 7 03 pm(Japan time) A Japanese person asked Mr. Sakurai on twitter. "@ButchJapan Mr. Sakurai, excuse me...about Fuji TV dogs, have you seen rescued dogs? Were they really rescued?" May 22, 2011 12 13 am (Japan time) Butch Japan answered "@*********_**** We will never answer about it on Twitter." May 22, 2011 12 17 am Besides Butch Japan answered on twitter. "@*********_**** Here is Butch Japan s corporate site, It is not good to ask personal questions, via not DM. please contact our president directly. If he is not at office, president will get back to you, but our company has no part in that matter." It s unnatural. Butch Japan posted "Fuji TV dogs were rescued by biker who are Sakurai s friends/underlings." on their company twitter, and on their company facebook page, in Japanese language, many times. And some Japanese people said "I bought Butch food because I heard that president Sakurai rescued Fuji TV dogs, but after I knew the truth, I will never forgive Butch Japan!" "Our company has no part in that matter." ? It is improbable. June 8, 2011. Some Japanese people were concerned about two dogs, and they suspected Sakurai s rescue story, and they made a thread on 2channel in order to verify dogs s whereabouts. (2channel is a big BBS in Japan) フジＴＶで放送された被災犬の行方を検証するスレ http //c.2ch.net/test/-/dog/1307535741/i フジＴＶで放送された被災犬の行方を検証するスレ２ http //yuzuru.2ch.net/test/read.cgi/dog/1317719783/ June 10, 2011. Mr. Sakurai asked LIA (Life Investigation Agency, an self‐appointed animal protection group) to delete LIA s blog which written about Sakurai s bikers rescued two dogs by baby sling. Sakurai claimed that LIA was using two dogs to collect money. Funny, Mr. Sakurai was using two dogs to collect money. Mr. Sakurai is obviously a scam. Sakurai has no rights to say that. June-July, 2011. Some Japanese (including me) sent some email and phoned to Fuji TV "Have you seen two dogs? How did you come by that information two dogs were rescued ? there is some possibility that Kenn Sakurai is a scam." But Fuji TV has never replied to us. About late of July, 2011. Fuji TV reporter Mr. Yamashina visited dogs owner s house. Mr. Yamashina saw Mei (brown tan dog) and made sure that Mei is the same dog aired on Fuji TV. Mr. Yamashina told dogs owner "There is a rumor that a dog was rescued by a man who live in Chiba prefecture." Mr. O and his family said "If that man has Lee (white dog), we want him to return Lee to us." But as everyone know, Kenn Sakurai is a lair, Sakurai has nothing but his dog (sumile). August 24, 2011. I told Mr. Harigaya (he is APF news crew and a member of Farm of Hope[M Farm]) about two tsunami dogs and Sakurai. As of August 24, 2011, I still not knew that white dog is missing, and I haven t met dogs owner yet. September 8, 2011. I phoned the two dogs owner on September 8th 2011, for the first time. I heard owner s voice, i was moved by the sad voice in which the owner spoke "white dog is still missing". I repented, I should have noticed Sakurai s lies earlier. If i/other people noticed his lies earlier, maybe Lee-chan was found long time ago. I was unable to repress my indignation at Sakurai s lies. At that time, I had bad back pain since July 2011, so I could not move long range transport, so I asked Mr. Harigaya to visit and interview Mr. O. September 13, 2011. I received an email and Mei-chan s photo via cell phone from dogs s owner, it s my treasure. I have never published this photo yet. I only showed this photo to Mr. Harigaya and some of my friends. September 14, 2011. Mr. Harigaya visited dog owner s house on September 14th 2011, for the first time. When Akiko Fujimura(the owner of Nippon SPCA) went to the dog owner s house with Mr. Harigaya. Akiko Fujimura met dog owner on September 14th 2011, for the first time, too. Ms. Fujimura heard information about the real dog owner Mr. O was found, from Mr. Harigaya. But as of September 14th 2011, Mr. Harigaya not told me about Ms. Fujimura, so I didn t know Ms. Fujimura met Mr. O. They actually saw brown tan dog. Thanks to everyone s efforts, thank you 2 channel users, thank you Global Animal and GA readers! Thank you Mr. Harigaya! If it were not for GA reports and GA reader s comments, and 2 channel user s posts, and Mr. Harigaya s advice, I could not contact the real owner. About late in September 2011. Akiko Fujimura sent a FAX to Sakurai. If it were not for Akiko s action, maybe there was no progress. I am grateful to Akiko that Akiko sent FAX to Kenn Sakurai. About early in October 2011. Akiko then received a response by Kenn’s attorney. Kenn’s attorney outlined he cannot reveal the name of the pet’s owner, cannot agree or disagree, as the microchip information is deemed privileged information. If that was so. Kenn wouldn’t have the information either. And I heared that Ms. Fujimura contacted dog s owner, from dogs s owner. Late in October 2011. Mr. Harigaya said "APF does not have our own TV station, so we told some Japanese TV station about two dogs s story, but they said We cannot air that story because that story is sad, and we may cannot get audience measurement. If white dog will be found, may we air that story ." Fuji TV, CNN, more, reported FAKE good story "both dogs were rescued", but they have NEVER reported true story "white dog has been missing. Their owner looking for white dog frantically". So i asked dogs s owner "Can i post Mei-chan s photo on my blog?" November 1, 2011. Akiko Fujimura published Mei-chan s photos and two dogs s story, via Hachiko Coalition facebook page. UPDATE JAPAN One Loyal Tsunami Dog Found http //www.globalanimal.org/2011/11/01/update-japan-one-loyal-tsunami-dog-found/43001/ But Ms. Fujimura did not tell me about it, so I was confused. But, I wanted to tell GA readers and 2channel users about Mei-chan was found by her real owner, and Lee-chan has been missing, their owner has been looking for Lee-chan since a long time ago. Ms. Fujimura published it and I attained my purpose at least. November 3, 2011. APF news Farm Sunctuary Farm of Hope ~Hukushima~ Official BLOG Kurumi-chan and Lee-chan http //www18.atwiki.jp/2dogs/pages/57.html November 15, 2011. I phoned an attorney who is employed by Sakurai, when I referred to Akiko s FAX. Sakurai s attorney said "We have heard from Mr. Sakurai as a witness what he knows about dog. But we have not seen the dog who was rescued by Mr. Sakurai, and we have not checked the information about microchip with our own eyes." http //www18.atwiki.jp/2dogs/pages/62.html (Mon)December 26, 2011. I phoned Butch Japan, when Kenn Sakurai s wife said "Fuji TV dogs s story has no connection with our company (Butch Japan). That was our President s own personal matter." and "Takeshi Sakurai", why does Sakurai use fake name Kenn? http //www18.atwiki.jp/2dogs/pages/43.html Late in December 2011. I sent a message Butch Pet Foods in New Zealand at December 2011. But I have not received a reply from them. Also, some Japanese people sent Butch NZ a message, but No one received their reply. So I m considering boycott Butch Pet Food. http //www18.atwiki.jp/2dogs/pages/45.html April 1, 2012. I went to see Mei-chan s and Lee-chan s owner, for the first time. http //www18.atwiki.jp/2dogs/pages/55.html http //www.youtube.com/watch?v=Mjn6O4Lf_yE sns=em May 17, 2012 Akiko Fujimura published a new book about the loyal tsunami dogs. http //www18.atwiki.jp/2dogs/pages/44.html (Wed) May 23, 2012 I visited Butch Japan office in Chiba-prefecture. Sakurai s wife said "We do not have to apologize to the Lee-chan s owner." "About that, some people misunderstood and have sent us money as their pleases." http //www18.atwiki.jp/2dogs/pages/46.html (Sun) July 15, 2012. We held A protest demonstration against Fuji TV About false report Two Loyal Tsunami Dogs, at Tokyo Teleport Station where near the Fuji TV Headquarters Building in Odaiba Tokyo. Thank you for your help! http //www34.atwiki.jp/2dogs_demo/ But Fuji TV NEVER corrected their wrong report. We still continue to send Fuji TV a message. August 8, 2012 I showed this picture to dog owner. A dog stay with a house which was collapsed by tsunami (March 14th, 2011. Morning, Arahama) = This picture was taken by Takuya Imai The owner said "This dog is Lee!" Certainly Lee (white dog) was still alive until March 14th, 2011, 7 11 am. But Lee is still missing. http //www18.atwiki.jp/2dogs/pages/61.html The owner’s house and his cell phone were washed away by the tsunami on March 11th 2011. So the real owner Mr. O has no photo of Lee (white dog) witch before tsunami, but actually he has been together with his brown tan dog, their family vet in Sendai knew that he is the real owner of Mei Lee. And when Mei was a puppy, a man who lives Miyagi prefecture sent Mei to the owner, he said Mr. O is real owner of Mei. So we can prove all the reliable proof. September 17, 2012 PLEASE sign up CNN and click "This belongs on CNN"! The truth of two loyal tsunami dogs in Japanhttp //www18.atwiki.jp/2dogs/pages/77.html As of February 10th 2013, we still need your help! Please. As of (Sun) February 10th 2013. The real owner and we are still looking for Lee desperately. If you have any information about white female setter who from Sendai Japan, please tell us. We will greatly welcome any information. Thank you. Email twodogs_tottorimiyagi_mii3328@yahoo.co.jp http //www18.atwiki.jp/2dogs/pages/92.html We need eyewitness white setter in Sendai Japan. Feature of the Lee-chan White setter Large dog Totally white on her body Her ears are right brown She has gray spotted around her nose Then she had silver chains around her neck Female Then NOT microchipped Then not spay Now, 10 years old She is friendly Time The Last Witness Monday March 14th 2011 about 7am By. Takuya Imai he is a cameraman of Nikkei newspaper. And March 13, 2011 about 5pm Fuji TV reporter Mr. Yamashina saw these two dogs. Location The Last Witness near the Sendai Municipal Arahama Elementary School, in Arahama, Wakabayashi-ku, Sendai-shi, Miyagi-ken, Japan. Nearby Miyagi Prefectural Road137, Arahama-Haranomachi Line. I know after the tsunami, PETA Asia, ASPCA, Kinship Circle had been in Sendai at that time, but I don’t know other foreign animal rescue team. If you know, please tell me. I think that there is some possibility Lee-chan was rescued by overseas people, and she was adopted to overseas foster parent or out of Miyagi-prefecture, but those rescuers believed in false report and they might have not looked for the real owner. Translation two dogs of Arahama Sendai-city TOP page http //www18.atwiki.jp/2dogs/pages/1.html

• オペラ対訳プロジェクト - Strauss,Johann II/Der Zigeunerbaron/II

  https://w.atwiki.jp/oper/pages/979.html

  第２幕 第１場 導入 Ｎｏ．8―３重唱 ツィプラ、ザッフィ―、バリンカイ （ツィプラ） 私の目は注がれる 昼夜を問わず この若者たちと 我が主人の財産に （バリンカイ） 夢だったのだろうか？ 知るのは難しい 私をここへ導き 私をこんなに幸せにしたのは いいや夢ではない 彼女は眠る、優しく、静かに 目覚めて、私の最愛の妻、目覚めて！ 日はすぐここに届くだろう （ツィプラ） （横で） もし巧く 彼の心が愛の日の光に 貫かれたら 悲しみは終わります （ザッフィ―） あなたの妻？ まだ私をからかうのね？ （バリンカイ） とんでもない！ 君は私にとって唯一の人 （ザッフィ―） 本当に信じていいの？ （バリンカイ） そう、私は君を妻に選んだ！ （ザッフィ―） ああ！ （バリンカイ） 素晴らしさに満ちた この夜 私は君を見た 我が最愛の人 月の光は 銀色に輝き 君の姿を 優しい魅力で包んだ 私は完全に魅惑されました まるで、おとぎ話の様だが真実なんだ！ 天使のような顔 豊かな髪 この輝く目 唇 キスを促す口 官能的な体 この世界で 最も素敵な女性！ 私の、私のものであってくれ、永遠に！ 私は君を忠実に心から愛する！ 私は誠実に君を愛する！ （ザッフィ―） もう一度仰って それは、私の若い心を喜ばせます！ それは渇いた草原を爽やかにします 朝露の様に私の中を流れます 私が理解できないような喜び あなた、素晴らしく、愛する人！ （バリンカイ） もう一度言ってくれ！ （バリンカイとザッフィ―） 目と目 口と口 ああ、何たる至福 何という幸せな時間！ 腕と腕 優しく暖かく 天国の喜びが 私の胸を射抜く！ 私のもの、永遠に！ まるで、おとぎ話の様だけど真実だ！ Ｎｏ．9―３重唱 （ザッフィ―） 一人の老人が夢に現れたわ その顔と表情は貴方にそっくりだった 彼を見た時、私は思い当たったの 彼は、貴方の父上に違いありませんわ 彼は私に近付き こう言ったのです その場所は 若い領主が宝を信じて 最初に休んだ所に あると 嘘つきの目から逃れた金と財宝が 若い求婚者よ 古い塔の壁の中で 大理石版を持ち上げよ そうすれば、彼はお金持ちになるでしょう！ （バリンカイ） その夢は、素晴らしい夢だ！ （ザッフィ―、ツィプラ） ここには壊れた塔があるわ！ （バリンカイ） （ザッフィーを引き寄せて） 夢は本当だ！ 宝は、宝は 既に僕の物だ 日の光同様、明白だ （ザッフィ―） 夢が貴方に指示した事をして下さい！ （バリンカイ） でも君、怖くない・・・ （ザッフィ―、ツィプラ） 危険はないわ、試してみたら？ （バリンカイ） 危険はないわ、試してみたら？って これは、悪魔には難問だな ハハハハ 一つの石が他のと違うって！ ハハハハ （ザッフィ―、ツィプラ） （横で） 彼は笑っているわ 信じていないのよ 実際、彼は 疑わしい顔つきだわ！ でも、愛すべき夢が 夜に約束したものには 従わねば 私はそうするわ！ ジプシーの皆が 目を覚ます前に そう、徐々に 全てが明らかになる そして、彼が信じていないものが、 全て真実となる！ （バリンカイに） だから、叩きましょう 全ての石を叩きましょう （バリンカイ） 君がのぞむなら、そうしまよう！ 叩きましょう 一つだけ違う筈！ は全ての石を叩きましょう （ザッフィ―、ツィプラ） 私は叩きましょう 何が起きるのでしょう （バリンカイ） 私は叩きます、何が起きるのだろうか！ （ザッフィ―、ツィプラ） ハンマーが大理石板を 見つけるまで！ （バリンカイ） 私が大理石板を見つけるまで （ザッフィ―、ツィプラ） （横で） 冗談と遊びのようなもの 私達を動かすもの でも大いに 内部で動くものは 私の気持ち 私の心は幸せに鼓動して 目標を言いましょう それは私達に影響を与え 最高の幸せを与えるもの ああ、何とも素晴らしい その時以来 再び現れる ジプシーに そして故郷を偲ばせる英雄に でも・・・ （バリンカイに） 叩いて、叩いて、叩いて、叩いて それだけでは、ダメです ハンマーが大理石を 叩くまで！ （バリンカイ） この音は、空洞だ！ これをずらせる事が 出来そうだ ワア、何て見事な！ （３人全員） 宝だ！宝だ！ この輝きを見よ、何たる素晴らしさ！ ああ、誰が考えただろうか！ （宝のワルツ、３重唱） （ザッフィ―、バリンカイ、ツィプラ） 見よ、ウィンクし きらめき 響いている！ ああ、私達の目にも 何と素晴らしい！ 金を見て 何て可愛く 丸まっているの！ 音を聞こう、 楽しさに満ちている 叶ったのね 私達の思いが！ （バリンカイ） さあ、人生を楽しもう （ザッフィ―） 私達、馬と召使を持てるわ （バリンカイ） 私達は陽気な宴会が出来るそ！ （ザッフィ―） お客さんを招きましょう！ （バリンカイ） パーティーをしよう！ （ザッフィ―） 仮面舞踏会！ （バリンカイ ） 舞踏会！ （ザッフィ―、バリンカイ） トカイワインを飲んで 楽しく 過ごそう！ （ツィプラ） でも、一番大切な事を忘れちゃだめだよ 皆が、貴方を幸せだと賞賛するだろうが 富を賢く使わないと 後の日々の為に 満足して 言うことが出来るよ （３人全員） 見よ、ウィンクし きらめき 響いている！ ああ、私達の目に 何たる喜びが！ 金を見て 可愛く 丸まって！ 私達に起きたことは 私達が憧れていた事！ （ツィプラ、ザッフィ―） だが、金やお金より 愛と忠誠が強い絆です 大きな幸せは、私達を最も 素晴らしい世界へと導きます！ もしあなたの心を痛める事があっても 忠誠は保たれ保護されます 貴方にそれをもたらした時を 賞賛しなければなりません！ （３人全員） 見よ、ウィンクし きらめき 響いている！ ああ、我々の目に 何とも喜ばしい！ 金を見よ 何と可愛く 丸まっている事か！ これ宝は 我々が望んでいたものだ 第２場 Ｎｏ．１０―アンサンブル （年寄りの仲間） 目覚めよ！目覚めよ！目覚めよ！ 夜は明けた 一日の始まりだ 仕事につけ さあ１日の始まりだ！ 目覚めよ、仕事につけ！ （ジプシー達は立ち上がり、 すぐに仕事に就く） （ジプシーの合唱） 鉄は鍛えて強くなる、 ヤカン、大鎌、鋤 ヘイ、鍛造鍵、ナイフ 鎌、吊り手、釘、南京錠 だが、一旦敵が国を脅かしたら 勇敢なスローガンは 吊り手は要らぬ ナイフは要らぬ 釘は要らぬ 南京錠は要らない！ 鉄を鍛え 我らの剣を讃えよ！ 吊り手は要らぬ ナイフは要らぬ 釘は要らぬ 南京錠は要らない！ 毎日 打つんだ！ヘイ！！！ （ジプシーの合唱） ディンドン 鉄は歌う ディンドン 生きるためだ！ ディンドン ディンドン 我々は鉄を延ばして 鋼の弦を作る 太陽と谷を 賞賛しよう！ 陽気な調べは 不安を払う そう、不安を払う ディンドン 鉄は歌う ディンドン 生きるためだ！ ディンドン ディンドン 我々は鉄を延ばして 鋼の弦を作る （全員合唱） 鉄は鍛えて強くなる （退場しながらの合唱） ディンドン 鉄は歌う ディンドン 生きるためだ！ 我々は鉄を延ばして 鋼の弦を作る 調べを誘い出す 喜びと悲しみのため 第３場 （カルネロ） 彼の妻だって？誰が結婚を執り行ったのだ Ｎｏ．１１―２重唱 （バリンカイ） １． 誰が結婚を執り行ったかだって？ エ、言ってやれよ！ （ザッフィ―） あなたが仰って！ （バリンカイ） 琴弾鳥が結婚を執り行ったのです！ （全員） 琴弾鳥が結婚を執り行ったのです！そう、そう！ （バリンカイ） 頭の上の青空の教会で （ザッフィ―） 美しく輝きに満ちた荘厳さ！ （バリンカイ） 金の星が 金の星が 見渡す限りに、ちりばめられていた！ （ザッフィ―、バリンカイ） そして、夜鳴き鶯が一晩中 彼女に優しく歌いました 愛は天から 祝福しています！ （全員） そして、夜鳴き鶯が一晩中 彼女に優しく歌いました 愛は天から 祝福しています！ （カルネロ） で、誰が証人なんだ？ （バリンカイ） ２． 誰が証人かだって？ 言ってやれよ！ （ザッフィ―） あなたが仰って！ （バリンカイ） ２羽のコウノトリが、嘴を鳴らしました （全員） ２羽のコウノトリが、嘴を鳴らしました （バリンカイ） コウノトリの夫婦が見守りました （ザッフィ―） 彼等はうなずき 私達を見ました！ （バリンカイ） 彼等は言いました 互いに愛して あなた方は花嫁と花婿！ （ザッフィ―） 忘れないで、コウノトリは 家庭に幸せを運ぶ鳥 愛のあるところ、そう愛 家に、天の力を！ （全員） 忘れないで、コウノトリは 家庭に幸せを運ぶ鳥 愛のあるところ、そう愛 家に、天の力を！ Ｎｏ．１２－倫理委員会、２重唱 （カルネロ） 老いも若きも、貞淑と純潔を大切に 徳の実践をするべきである 品行の悪さを前もって摘んだ者は 徳の長者として大いに賞賛される そして、女性があられもなく胸をはだけ 誰にでも色目を使うと 高潔な男子は 近寄ってはならない そして、風紀委員会の 規律をないがしろにすると 我々はすぐに逮捕する （容赦なしだ そんな連中には 罰則だ） （合唱） 恐ろしや！恐ろしや！ （ミラベラ） 没収ゲームには御用心 互いに感情でキスをする そして、劇場のステージに上がる 一人のバレリーナは大胆、でも男は見ない 一人の女性に大胆にキスする人 正式なのは、その人ではなく ２番目か３番目が自信を持って 平和に結婚して喜びます そして、皇室の男爵ならば 彼は連絡しなくなり 慈悲もありません （３番目が中心で 倫理委員会と同じ） （合唱） ああ、酷い！ （ジュパン） 最近良く無い事があった 凍った道で 女の子が巧く進まないので アイゼンを付けて道路に向かって飛んだ 男は氷が割れないかと彼女を見守った そして男は転倒と破壊の音を聞いた 女の子を氷の上に横たえて 男達は丸く囲んだ 男達は彼女の状況を想像した 一人の道徳的人間として 私は囁く その真ん中で （滑ってしまった 道徳委員会の前で） Ｎｏ．１２a―徴兵の歌 （ホモナイ公爵） １. こちらに君の手を出し、 最愛の人に別れを言うのだ 徴兵ワインを一緒に飲んで、 軽騎兵に加わるのだ！ 軍帽（シャコー）を取り、帽子を捨てよ 我々の隊列に加わるのだ！ お前の剣が驚くべき仕事をする ハ、敵を見つけ出せ！ （合唱） 軍帽（シャコー）を取り、帽子を捨てよ 我々の隊列に加わるのだ！ お前の剣が驚くべき仕事をする ハ、敵を見つけ出せ！ 握手だ！ 握手だ！！ ワインがあるぞ 握手だ そして飲むんだ、飲むんだ グラスはこちらだ、万歳！ 万歳、軍よ、万歳、軍よ （ホモナイ公爵） ２． 兄弟よ、軍に入れ 君を勧誘しよう 来れ、ハンガリー軍には 勝利か死だ！ 我々の血で 国土を染めるのもいいだろう 戦闘で手を休めれば、 敵が破壊する！ （合唱） 我々の血で 国土を染めるのもいいだろう ｅｔｃ （チャルダーシュ） （ホモナイ公爵） 我々は皆、楽しみたいのだ グラス一杯のワインを 明るく澄んだ激しいワイン 軽騎兵はそれを愛する！ ヘイ！ そしてワインのあるところに喜びあり いつでも 全ての女性が愛らしく見える 軽騎兵は彼女等を愛するのさ！ ヘイ！ お前、ブルネットの女、飾る必要はない キスは軽騎兵の義務だ お前の彼とお前は 素敵なペアになるぞ！ ヘイ！ 愛はワインの様に甘く お前のキスもそうだ！ こちらへ来い、軽騎兵は心得ている！ 愛とワインは常に 人生のスパイスだ！ ヤー！ 共に、甘く、透明で、真実だ 軽騎兵が彼女達を愛するように！ Ｎｏ．１３―フィナーレＩＩ ワルツ、導入 （全員） ウィーンへ？！ （カルネロ） （皮肉っぽく） 美容専門家にとって最適な場所です！ （ジュパン） 活発な女性もいるな （ミラベラ） （同様に） 海軍の男性もいますわ （オットカー） 男も住んでます （カルネロ） そして、夜になる （アルゼナ） 私は、そこの歌を知ってるわ （ミラベラ） （強く） 私が教えたのです！ （ワルツ） （アルゼナ） １． 幸福が 至る所に満ちている ウィーンの都の様に素晴らしい都市は無いわ 新鮮で、大胆な場所 粋な旋律が奏でられ あなたを陽気さと、歌と、女で満たすウィーン！ 歌が奏でられる場所 ウィーンの森からは 甘く、清らかな五月の香りが溢れ ああ、心が一杯です あるのはウィーンの歌だけ 間違った音は一つもありません！ どんな痛みもなく 人の心を知ります ああ、そう、胸が膨らむ 私達を愛の憧れで 甘い、愛への憧れで ああ、そちらへ 私たち全員を連れ行って 私達に常しえの 憧れと喜びが栄えます 人生の輝きが 全ての喜びを輝かせる場所 愛が微笑む所 昼夜を問わずに！ ２． 美しいウィーンへと 私の心と感覚を引っ張って行って 壮大な大聖堂のある素敵な街へ すぐに時間が過ぎ去る所 幸せな歌の前では そして、酔いが喜びを包み 明るい光のある所 そして歌と踊り 夜は喜びの中で私達は過ごします ブドウが咲く場所では、 そして、愛は燃え すべての人が人生を理解する場所 はい、そこへ、そこへ 全員を連れて行って （カルネロ） （侯爵に懇願して） 私は尊厳の 栄光に包まれていたが ここに立っている まるでプードルの様に どうか覚えておいてください 権限のあることを あなたは理解できる （ジュパン） （補足して） 地獄へ行け！ （ミラベラ） （激怒して） それと、このならず者たちに！ （アルゼナ） 気まぐれ・・・ （ミラベラ） アバズレ、悪漢、泥棒！ （アルゼナ、カルネロ） この悪名高い連中は 裁判所に連れて行かねば！ （ツィプラ） （興奮して） 十分よ！私は、もう黙って見ていられない！ 私達を侮辱するお前達、こちらにおいで！ お聞き、お前達が攻撃しているこの娘は 私達の誰よりも高貴な生まれなのさ ここで、厳かに宣言するよ この子は私の子ではない （ミラベラ） 自分の子ではない！ （合唱） 自分の子じゃない？ （ツィプラ） 私は見守ってきた 昼夜を問わずに この娘の人生を （伯爵に向かって） 伯爵様！あなたは賢いわ この紙を任せます！ ここで、長年私はそれを忠実に保管してきました そして今、全てが明らかになります （全員） （ツィプラ以外） この文書は 誰も知らない 何て書かれてあるか聞こう！ （ホモナイ公爵） ここに来る前、そなたは王女だった！ （公爵以外の全員） 王女だと？ （ザッフィ―） 何ですって？ （バリンカイ） ありえるのか？！ （ザッフィ―） お話し下さい！ （ホモナイ公爵） 彼女の父親はハンガリー最後の パシャだった！ （全員） エエッ！！ （アンサンブル） （アルゼナ、ミラベラ、ツィプラ、バリンカイ、ホモナイ、オットカー、ジュパン、カルネロ） 王女！何たる奇跡！ 彼女には我々が慈悲を請う価値がある 少し前までジプシーの娘だったが 彼女は素晴らしさと栄光に満ちている 何て素晴らしい！ ハンガリー最後の パシャの子！ （ザッフィ―） ああ、何たる幸運！ （バリンカイ） 私には不幸せだ！ （ザッフィ―） 何を言ってるの？ （バリンカイ） ああ、私は君から離れなければ！ 貧しいジプシーの娘に 私の心は捧げられたのだ 私は君に結婚してとは言わない 私は王女とは縁を切らねばならない！ （ザッフィ―） （興奮して） あなたは私を愛していない！ （バリンカイ） ああ、それが事実なら 私は苦しみもなく 君と別れなければならない！ （ザッフィ―） 何ですって？別れたいの？信じられないわ！ （バリンカイ） 私はあなたを愛しているから、別れなければ！ （ザッフィ―） 私と別れる？ （ホモナイ公爵、合唱） 兄弟よ、軍に入れ 勧誘しよう 来るのだ、ハンガリー軍には 勝利か死あるのみ！ 我々の血でその地を 染めるのもいいだろう 敵と戦う時に 手がよろけるよりましだ （ジュパン、オットカー、ミラベラ、アルゼナ、カルネロ） 悪魔を連れて来て 私達を勧誘する！ 私は軍隊で何をするのか？ 奴は軍で何をするのか？ ああ、私はそこで死ぬだろう！ ああ、奴はそこで死ぬだろう！ それは敵の勇気になるんだ 私達の背中をなめす 君達の背中をなめす 悲しい、私達の血は 悲しい、君達の血は スペインの地を染める！ 戦うんだ！ （バリンカイ） さあ、私は軽騎兵だ！ 私に徴兵ワインをくれ！ 一杯くれ！ （立ち上がる） （ザッフィ―） ああ、そんな風に仰らなくて！ （ツィプラ） ああ、家にいて下さい！ （バリンカイ） 私を戦闘に押し出してくれ、 ここだ同志よ、私の手を取れ！ 私は愛の生活を犠牲にし 私は祖国への愛を選ぶ （兵隊の合唱） 我等の祖国に乾杯！ （ザッフィ―） ああ、私を置いて行かないで、ここに居て！ （バリンカイ） 私はそうする事はもうできない （ホモナイ公爵） 彼の握手は彼を縛っている、 行かせてやるんだ！ （バリンカイ） さようなら！さようなら！ （ザッフィ―） （興奮して） 彼を連れて行って！ （ホモナイ公爵） ウィーンで再開しよう （仲間全員の合唱） （兵士） 幸福に満ちている 遠くて、広い ウィーンの都の様に素晴らしい都市は無い 新鮮で、大胆な場所 粋な旋律が奏でられ あなたを陽気さと、歌と、女で満たすウィーン！ 歌が奏でられる場所 そして歌と踊り 夜は喜び中で私達は過ごします ブドウが咲く場所では、 そして、愛は燃え すべての人が人生を理解する場所 （ジプシー達） 幸福に満ちている 戦いの後で 我々は又、豪華な帝都へ移動する 新鮮で、大胆な場所 粋な旋律が奏でられ あなたを陽気さと、歌と、女で満たすウィーン！ 明るい光のある所 そして歌と踊り 夜は喜び中で私達は過ごします ブドウが咲く場所では、 そして、愛は燃え すべての人が人生を理解する場所 （ワルツが終了するまで） （ジュパン、オットカー、カルネロ） （絶望的に） 不幸はしばしば一夜で起きる 我々は戦闘へと送られる 誰が想像したろう！ ああ、何とも困難な話だ 我々に神の御加護を 我々は、敵も味方も区別がつかない 悲しい、悲しい 我々はそこへ行く 戦いで あちらへ、こちらへと お休みなさい！ （間） ZWEITER AKT ERSTE SZENE Introduktion Nr. 8 - Terzett Czipra. Saffi. Barinkay. CZIPRA Mein Aug bewacht Bei Tag und Nacht Dies holde junge Blut Und meines Herren Gut. BARINKAY War s wohl ein Traum? Ich weiss es kaum, Was mich hierhergebracht Und mich so glücklich macht. Doch nein, es war kein Truggebild Da schlummert sie so süss und mild Wach auf, mein holdes Weib - wach auf Es steigt die Sonne bald herauf! CZIPRA bei Seite Wenn es gelingt Sein Herz durchdringt Der Liebe Sonnenstrahl, So endet alle Qual! SAFFI Dein Weib - Du treibst Auch heut noch Spott? BARINKAY Bewahre Gott! Nur Dich hab ich zum Weib erseh n SAFFI Darf ich es wirklich so versteh n? BARINKAY Ja, Dich hab ich zum Weib erkoren SAFFI Ah! BARINKAY In dieser Nacht Voll herrlicher Pracht Hab ich gar traut Mein Lieb Dich erschaut; Der Mondenschein, So silbern und rein, Umfloss Dein Bild So lieblich und mild - Bezaubert war ich ganz und gar, Ein Märchen scheint s und dennoch wahr Dies Engelsgesicht, Dies üppige Haar, Dies Auge voll Licht, Dies Lippenpaar, Der küssende Mund, Der wogende Leib - Auf dem Erdenrund Das herrlichste Weib! Mein - mein bleib immerdar! Ich will Dich lieben treu und wahr, Ja, lieben treu und wahr! SAFFI Noch einmal diese Worte sprich, Die so mein junges Herz entzückt! Wie Morgenthau durchrieselt s mich Der das schmachtende Feld erquickt. O Glück, das ich kaum fassen kann. Du herrlicher, geliebter Mann! BARINKAY Sag es noch einmal! BARINKAY UND SAFFI So Blick in Blick Und Mund an Mund - O seliges Glück! O wonnige Stund! Und Arm in Arm So innig und warm - Welch himmlische Lust! Durchwogt meine Brust! Mein - mein - mein auf immerdar Es ist wie ein Märchen, doch so wahr! Nr. 9 - Terzett SAFFI Ein Greis ist mir im Traum erschienen Dir ähnlich an Gestalt und Mienen. Als ich ihn sah, da fiel mir ein, Das könnte nur Dein Vater sein! Er trat an mich heran Und sprach sodann An jenem Platz Wo traut beim Schatz Zuerst der junge Gutsherr ruht, Da liegt, Dem fremden Blick verborgen, Geld und Gut So mag der junge Freier Im alten Thurmgemäuer Nur heben einen Marmorstein, Und reich wie Krösus wird er sein.´ BARINKAY Solch einen Traum, den lob ich mir! SAFFI UND CZIPRA Der zerfall ne Thurm - steht hier! BARINKAY Saffi an sich ziehend Der Traum ist wahr! Den Schatz - den Schatz - Ich hab ihn schon, Das ist doch sonnenklar. SAFFI Thu, was Dir mein Traum gebeut! BARINKAY Aber Kind, sei doch gescheut ... SAFFI UND CZIPRA Was ist riskirt, wenn man s probirt? BARINKAY Was ist riskirt, wenn man s probirt? Da wird der Teufel klug daraus Hahahaha - Ein Stein sieht wie der andere aus! Hahaha - SAFFI UND CZIPRA bei Seite Ei, ei, er lacht Mir scheint, er glaubt uns nicht. Fürwahr, er macht Ein zweifelndes Gesicht! Doch was bei Nacht Ein schöner Traum verspricht - Das sei vollbracht Wir sind darauf erpicht - Bevor noch wach Hier die Ziegeunerschaar. Ja nach und nach Wird Alles offenbar, Und was er jetzt nicht glauben will, Wird Alles wahr! Zu Barinkay Darum nur klopfe, klopfe, klopfe, klopfe Klopf auf jeden Stein. BARINKAY Ihr wollt es - - gut, so mag es sein! Ich klopfe, klopfe, klopfe, klopfe, Einer, muss es sein! Ich klopf auf jeden Stein! SAFFI UND CZIPRA Klopfe, klopfe, klopfe, klopfe, Es wird Dich nicht gereu n - BARINKAY Ich klopfe - was wird s denn sein! SAFFI UND CZIPRA Ja klopfe, bis der Hammer trifft Den Marmorstein! BARINKAY Bis ich find den Marmorstein! SAFFI UND CZIPRA bei Seite Nur Scherz und Spiel Scheint s, was uns hier bewegt Doch ist gar viel, Was sich darinnen regt, Und mein Gefühl Mein Herz, das freudig schlägt, Sagt, dass dem Ziel Es uns entgegenträgt, - Dem höchsten Glück Ach wie beneidenswerth, Seitdem zurück Er wieder ist gekehrt Zu den Zigeunern Und zum heimatlichen Herd - Drum ... Zu Barinkay Klopfe, klopfe, klopfe, klopfe - s wird Dich nicht gereu n Klopfe bis der Hammer trifft, Den Marmorstein! BARINKAY Da klingt es hohl!! Ich glaube wohl Den krieg ich los! Ha - s ist grandios!! ALLE DREI Der Schatz!! Der Schatz!! Seht dies Gefunkel - diese Pracht Ei, wer hätte das gedacht!! Ah! Schatz-Walzer - Terzett SAFFI, BARINKAY UND CZIPRA Ha seht, es winkt, Es blinkt, Es klingt! Ach unsern Blicken Welch ein Entzücken! Seht hier das Gold, Es rollt. So hold! Lasst seinem Rauschen Fröhlich uns lauschen, Da sich vollzogen, Was wir gewollt! BARINKAY Nun will ich des Lebens mich freu n. - SAFFI Wir halten uns Pferd und Lakai n! BARINKAY Wir geben nach Lust Gastereien! SAFFI Laden Gäste - BARINKAY Geben Feste - SAFFI Maskeraden - BARINKAY Piroutschaden– SAFFI UND BARINKAY Trinken Tokayer Wein - Das wird fein Lustig sein! CZIPRA. Doch vergesst nur nicht das Beste - Dass Jeder Euch glücklich preise, Nützt den Reichthum klug und weise, Dass Ihr noch in spätern Tagen Mit Behagen, Könnet sagen ALLE DREI Ha seht, es winkt, Es blinkt Es klingt! Ach unser n Blicken Welch ein Entzücken! Seht hier das Gold, Es rollt So hold! Da sich vollzogen Was wir gewollt! CZIPRA UND SAFFI Doch mehr als Gold und Geld Ist Lieb mit Treu gesellt Da führt die höchste Freude Uns in die schönste Welt! Drum, wenn ein Herz Dir schlägt, Das Treue wahrt und hegt, Sollst Du die Stunde preisen, Die Dir s entgegenschlägt! ALLE DREI Ha seht - es winkt, Es klingt, Es blinkt! Ach unser n Blicken Welch ein Entzücken. Seht hier das Gold, Es rollt So hold! Hier sind die Schätze, Die wir gewollt! ZWEITE SZENE Nr. 10 - Ensemble DER ALTE PALI Auf! - Auf! - Auf! Vorbei ist die Nacht - Der Tag ist erwacht! Auf zur Arbeit, Der Tag ist da! Auf - Auf zur Arbeit! Die Zigeuner und Zigeunerinnen erheben sich und stellen sich alsbald zur Arbeit. CHOR DER ZIGEUNER Ha, das Eisen wird gefüge, - Kessel, Sensen, Pflüge - Hei! schmiedet Schlüssel, Messer, Sichel, Bügel, Nägel, Schlösser! Doch wenn der Feind das Land bedroht Dann lautet muthig das Gebot Keine Bügel, Keine Messer, Keine Pflüge, Keine Schlösser - Macht das Eisen immer härter Dass sie preisen uns re Schwerter Keine Bügel, Keine Messer, Keine Pflüge, Keine Schlösser - Tag für Tag Schlag auf Schlag - hei!!! CHOR DER ZIGEUNERINNEN Kling und Klang - Eisen macht Gesang! Kling und Klang Für jeden Lebensgang! Kling klang, Kling klang Wir spannen das Eisen Zu Saiten aus Stahl. Mögen sie preisen Die Sonne - das Thal - Die fröhlichen Weisen Verjagen die Qual - Ja, sie verjagen die Qual. Kling und Klang Eisen macht Gesang! Kling und Klang Für jeden Lebensgang! Kling, klang, kling Klang, kling, klang! Wir spannen das Eisen Zu Saiten aus Stahl etc. etc. ALLGEMEINER CHOR Ha das Eisen wird gefüge etc. etc. ABGANGS-CHOR Kling und Klang! Eisen macht Gesang, Kling und Klang! Für jeden Lebensgang! Wir spannen das Eisen Zu Saiten aus Stahl, Entlocken ihm Weisen Für Lust und für Qual. DRITTE SZENE CARNERO Sein Weib? Wer hat Euch denn getraut? Nr. 11 - Duett BARINKAY I. Wer uns getraut? Ei sprich! SAFFI Sag Du s! BARINKAY Der Dompfaff, der hat uns getraut! ALLE Der Dompfaff, der hat sie getraut! Ja, ja! BARINKAY Im Dom, der uns zu Häupten blaut! SAFFI O seht doch, wie herrlich, voll Glanz ihr Majestät! BARINKAY Mit Sternengold, Mit Sternengold, So weit Ihr schaut, besä t! SAFFI, BARINKAY Und mild sang die Nachtigall Ihr Liedchen in die Nacht Die Liebe, die Liebe Ist eine Himmelsmacht! ALLE Ja - mild sang die Nachtigall Ihr Liedchen in die Nacht Die Liebe, die Liebe Ist eine Himmelsmacht! CARNERO Und wer war Zeuge dabei? BARINKAY II. Wer Zeuge war? Ei sprich! - SAFFI Sag Du s! BARINKAY Zwei Störche, die klapperten laut - ALLE Zwei Störche, die klapperten laut! Ja ja! BARINKAY Das Storchenpaar hat zugeschaut. SAFFI Es nickten und blickten So schlau uns Beide an! BARINKAY Als sagten sie O liebet Euch, Ihr seid ja Weib und Mann! SAFFI, BARINKAY Vergesst nie, - dass oft der Storch Das Glück in s Haus gebracht, - Wo Liebe, - ja Liebe Daheim - die Himmelsmacht! ALLE Vergesst nie, dass oft der Storch Das Glück in s Haus gebracht, Wo Liebe, - ja Liebe Daheim - die Himmelsmacht! Nr. 12 - Sittencommissions-Couplet CARNERO Nur keusch und rein soll Gross und Klein Beschaulich sich der Tugend weih n, - Wer sündige Triebe im Keime erstickt, Auf den wird entzückt als Muster geblickt Und wenn ein Weib zu stark decolletirt Umher charmirt und scharf kokettirt Halt jede moralische Mannsperson Sich hübsch in Entfernung davon. Und weh dem armen Erdensohn, Spricht er der Vorschrift Hohn - Wir erwischen ihn schon - ( Da hilft kein Bitte Die Leviten Liest ihm die Sittencommission ) CHOR Entsetzlich! - Entsetzlich! MIRABELLA Man hüte sich beim Pfänderspiel Einander zu küssen mit Gefühl. Und tritt im Theater auf die Bühn Ein Balletmädel kühn, da schaut man nicht hin - Wer eine Frau verwegen küsst, Die amtlich nicht die Seine ist, Sich drängt bei Zwei n als Dritter ein, Die friedlich der Eh sich erfreu n; Und wär er selbst ein Reichsbaron, Er büsst die Liaison, Da giebt s keinen Pardon. - ( Es fass t den Dritten In der Mitten Gleich die Sittencommission ) CHOR O schrecklich! ZSUPAN Ein böser Fall ist jüngst passirt, Als man die Eisbahn inspicirt. Ein Mädel, wie s fescher kein s geben kann, Schnallt sich Eisen an und fliegt hin auf der Bahn. Man schaute ihr nach, ob s Eis nicht brach, Da hörte man jäh einen Fall und Krach. Bums lag das Fräulein auf dem Eis, Die Männer herum, rings im Kreis. Man denke sich die Situation Eine mollerte Person. Ich sag im Flüsterton - In der Mitten ( Ausgeglitten Vor der Sittencommission ) Nr. 12 a - Werberlied GRAF HOMONAY 1. Her die Hand, es muss ja sein - Lass dein Liebchen fahren - Trinkt mit uns vom Werberwein, Komm zu den Hussaren - Hier der Csako - her den Hut - Zieh mit unser n Schaaren! Dass dein Säbel Wunder thut, Ha, der Feind soll es erfahren! CHOR Hier der Csako, her den Hut, Zieh mit unser n Schaaren, Dass Dein Säbel Wunder thut, Ha, der Feind soll es erfahren! Schlagt ein! Schlagt ein!! Hier ist Wein, Schenket ein, Und trinket - trinkt, Gläser her - Vivat! Hoch das Militär - hoch das Militär GRAF HOMONAY 2. Bruder komm zum Militär, Lass von uns Dich werben - Komm, es muss das Ungarheer Siegen oder sterben! Lieber möge unser Blut Seine Erde färben, Eh die Hand im Kampfe ruht, Die uns den Feind soll verderben CHOR Lieber möge unser Blut Seine Erde färben, etc. etc. Csárdás GRAF HOMONAY Wir Alle wollen lustig sein Beim vollen Glase Wein, Beim Feuerwein, so hell und klar Wie liebt ihn der Hussar! Hei! Und wo der Wein nach Lust gedeiht, Da sind zu jeder Zeit Auch alle Mädel wunderbar! Wie liebt sie der Hussar! Hei! Du, braune Kleine, zier Dich nicht, Das Küssen ist Hussarenpflicht; Dein Bursch und Du - Ihr seid ein schmuckes Paar! Hei! Die Lieb ist, wie der Wein so süss, Dein Kuss, der ist es ganz gewiss. Komm her, das versteht der Hussar! Stets sollen Liebe nur und Wein Des Lebens Würze sein! Ja! Und Beide süss und klar und wahr, So liebt sie der Hussar! Nr. 13 - Finale II Walzer-Introduction ALL Nach Wien?! CARNERO ironisch Das ist der rechte Ort für solche Schönheitskenner! ZSUPAN Auch gibt es flotte Weiber dort. - MIRABELLA ebenso Auch gibt es flotte Männer - OTTOKAR Dort lebt man in den Tag hinein CARNERO Und oft auch in die Nacht - ARSENA Ich weiss davon ein Liedelein, MIRABELLA stolz Ich hab ihr s beigebracht! Walzer ARSENA I. So voll Fröhlichkeit Gibt es weit und breit Keine Stadt, wie die Wienerstadt, keine so fein - Wo so frisch und kühn Flotte Weisen sprüh n, Dich erfüllt, ach die Lust nach Gesang, Weib u. Wein! Wo das Lied erschallt Aus dem Wienerwald, So voll Duft wie der Mai und so herzig und treu - Ach, so voll Gemüth Ist nur das Wiener Lied, Und auch nicht ein falscher Klang dabei! Ach von keinem Schmerz Weiss das Menschenherz Ach ja - da schwillt die Brust Uns vor Liebeslust! Vor süsser Liebeslust. Ach ja, dahin, dahin, Lasst uns Alle zieh n! Wo uns immergrün Lust und Freude blüh n. Wo des Lebens Pracht Alle Freud entfacht, Wo die Liebe lacht Bei Tag und Nacht! II. Nach dem schönen Wien, Zieht mich Herz und Sinn, Nach der lieblichen Stadt mit dem herrlichen Dom, Wo der Nummer flieht, Vor dem frohen Lied Und versinkt in der Freude berauschendem Strom, Wo bei Lichterglanz Und Gesang und Tanz Uns in Lust und in Jubel die Nächte vergeh n - Wo die Rebe blüht, Und heiss die Liebe glüht, Wo alle Menschen das Leben versteh n. - Ja, dahin - dahin - Lasst uns Alle zieh n! CARNERO flehend zum Grafen Noch eben in Gloria, Von Hoheit umflossen, Steh ich jetzt da, Wie ein Pudel begossen - Bedenkt doch - seht - Die Autorität - Ihr versteht. ZSUPAN ergänzend Flöten geht! MIRABELLA wüthend Und alles diesem Pack zu Liebe! ARSENA Diese Strolche ... MIRABELLA Dirnen, Schurken, Diebe! ARSENA UND CARNERO Dies ehrlose Gelichter Gehört vor den Richter! CZIPRA erregt Genug! Nicht länger schweig ich mehr! Die uns beschimpft, kommt her, Erfahrt, dass sie, die Ihr zu kränken wagt Euch Alle an Rang und Hoheit überragt! Feierlich sei hier erklärt, Dass dieses Kind nicht mir gehört. MIRABELLA Nicht ihr Kind! CHOR Nicht ihr Kind? CZIPRA Ich habe gewacht Bei Tag und Nacht Ueber ihr Leben! Zum Grafen Herr Graf! - dem Cavalier Vertrau ich dies Papier - Hier trug ich s treu so manches Jahr, Und nun wird Alles offenbar! ALLE ausser Czipra Ein Document, Das Niemand kennt. Hört, was es giebt! GRAF HOMONAY Vor Euch seht Ihr - ein Fürstenkind; ALLE ANDEREN Ein Fürstenkind! SAFFI Was hör ich? BARINKAY Wär s möglich?! SAFFI O sprecht! GRAF HOMONAY Erfahrt es alle ihr Vater war Der letzte Pascha im Ungarland. ALLE Ah!! Ensemble ARSENA, MIRABELLA, CZIPRA, BARINKAY, HOMONAY, OTTOKAR, ZSUPAN und CARNERO Ein Fürstenkind - ein Wunder ist gescheh n, Ha, sie verdient, dass wir um Gnade fleh n - Soeben noch Zigeunermaid, Steht sie voll Glanz und Herrlichkeit, Vor uns - wie wunderbar! Als Kind des letzten Pascha s Von Te - mes - vár! SAFFI O welch ein Glück - - - BARINKAY Ein Unglück ist s für mich! SAFFI Wie soll ich das versteh n? BARINKAY Ach, von Euch muss ich geh n! Der armen Zigeunermaid War mein Herz geweiht - Euch zu begehren, darf ich nimmer wagen, Dem Fürstenkind muss ich entsagen! SAFFI erregt Du liebst mich nicht! BARINKAY O wär es wahr, Ich könnte ohne Leiden Von hier scheiden! SAFFI Wie? Du willst fort? Nicht kann ich s fassen BARINKAY Weil ich Euch liebe, muss ich Euch verlassen! SAFFI Mich verlassen?! GRAF HOMONAY UND CHOR Bruder, komm zum Militär, Lass von uns Dich werben, Komm! es muss das Ungarheer Siegen oder sterben! Lieber möge unser Blut Seine Erde färben, Eh die Hand im Kampfe ruht, Die uns den Feind soll verderben! ZSUPAN, OTTOKAR, MIRABELLA, ARSENA und CARNERO Bringt der Teufel die daher Just bei uns zu werben! Was thu ich beim Militär? Was thun sie beim Militär? Ach dort werd ich sterben! Ach dort wird er sterben! Denn es wird des Feindes Muth. Uns den Buckel gerben; Euch den Buckel gerben; Kann o weh, wird unser Blut Kann o weh, wird Euer Blut Spanische Erde färben! Schlagt ein! BARINKAY Wohlan - Hussar will ich sein! Reicht mir vom Werberwein! Schenkt ein! Es geschieht. SAFFI O sprich das Wort nicht aus! CZIPRA O bleibe doch zu Haus! BARINKAY Mich reisst es in das Kampfgetriebe, Hier Kameraden, meine Hand! Das Leben lass ich für die Liebe, Die Liebe lass ich für das Vaterland CHOR DER SOLDATEN Vivat das Vaterland! SAFFI Ach verlass mich nicht - o bleibe BARINKAY Ich darf und will nicht mehr! GRAF HOMONAY Sein Handschlag bindet ihn D rum lasst ihn zieh n! BARINKAY Leb wohl! Leb wohl! SAFFI erregt So mag er zieh n! HOMONAY Auf Wiedersehn in Wien. Allgemeiner Schluss-Chor SOLDATEN So voll Fröhlichkeit Gibt es weit und breit Keine Stadt wie die Kaiserstadt keine so fein, Wo so frisch und kühn Flotte Weisen sprühn. Dich erfüllt ach die Lust, nach Gesang, Weib und Wein, Wo bei Lichterglanz, Und Gesang und Tanz Uns in Lust und in Jubel die Nächte vergeh n, Wo die Rebe blüht Und heiss die Liebe glüht, Wo alle Menschen das Leben versteh n! ZIGEUNER O voll Fröhlichkeit Nach dem Kampf u. Streit Zieh n auch wir in die lust ge Kaiserstadt ein, Wo so frisch und kühn Flotte Weisen sprühn, Dich erfüllt ach die Lust, nach Gesang, Weib und Wein, Wo bei Lichterglanz, Und Gesang und Tanz Uns in Lust und in Jubel die Nächte vergeh n, Wo die Rebe blüht, Und heiss die Liebe glüht, Wo alle Menschen das Leben versteh n! Bis zum Schluss des Walzers. ZSUPAN, OTTOKAR UND CARNERO mit grotesker Desparation s Unglück kommt oft über Nacht - Schleppen die uns in die Schlacht - Wer hätte so was gedacht! Ach, wie hart geschieht Uns, wenn da Gott behüt , Wir alle uns mit dem Feind nicht versteh n! O weh, - o weh - Wir sind drin! In der Schlacht - Hin ist hin. Gute Nacht! Entr acte Strauss,Johann II/Der Zigeunerbaron/III

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• Anne of Green Gables　のぺーじ - CHAPTER IX

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  CHAPTER VIII UP CHAPTER X CHAPTER IX Mrs. Rachel Lynde Is Properly Horrified Anne had been a fortnight at Green Gables before Mrs. Lynde arrived to inspect her. Mrs. Rachel, to do her justice, was not to blame for this. A severe and unseasonable attack of grippe had confined that good lady to her house ever since the occasion of her last visit to Green Gables. Mrs. Rachel was not often sick and had a well-defined contempt for people who were; but grippe, she asserted, was like no other illness on earth and could only be interpreted as one of the special visitations of Providence. As soon as her doctor allowed her to put her foot out-of-doors she hurried up to Green Gables, bursting with curiosity to see Matthew and Marilla s orphan, concerning whom all sorts of stories and suppositions had gone abroad in Avonlea. Anne had made good use of every waking moment of that fortnight. Already she was acquainted with every tree and shrub about the place. She had discovered that a lane opened out below the apple orchard and ran up through a belt of woodland; and she had explored it to its furthest end in all its delicious vagaries of brook and bridge, fir coppice and wild cherry arch, corners thick with fern, and branching byways of maple and mountain ash. She had made friends with the spring down in the hollow-- that wonderful deep, clear icy-cold spring; it was set about with smooth red sandstones and rimmed in by great palm-like clumps of water fern; and beyond it was a log bridge over the brook. That bridge led Anne s dancing feet up over a wooded hill beyond, where perpetual twilight reigned under the straight, thick-growing firs and spruces; the only flowers there were myriads of delicate "June bells," those shyest and sweetest of woodland blooms, and a few pale, aerial starflowers, like the spirits of last year s blossoms. Gossamers glimmered like threads of silver among the trees and the fir boughs and tassels seemed to utter friendly speech. All these raptured voyages of exploration were made in the odd half hours which she was allowed for play, and Anne talked Matthew and Marilla half-deaf over her discoveries. Not that Matthew complained, to be sure; he listened to it all with a wordless smile of enjoyment on his face; Marilla permitted the "chatter" until she found herself becoming too interested in it, whereupon she always promptly quenched Anne by a curt command to hold her tongue. Anne was out in the orchard when Mrs. Rachel came, wandering at her own sweet will through the lush, tremu- lous grasses splashed with ruddy evening sunshine; so that good lady had an excellent chance to talk her illness fully over, describing every ache and pulse beat with such evident enjoyment that Marilla thought even grippe must bring its compensations. When details were exhausted Mrs. Rachel introduced the real reason of her call. "I ve been hearing some surprising things about you and Matthew." "I don t suppose you are any more surprised than I am myself," said Marilla. "I m getting over my surprise now." "It was too bad there was such a mistake," said Mrs. Rachel sympathetically. "Couldn t you have sent her back?" "I suppose we could, but we decided not to. Matthew took a fancy to her. And I must say I like her myself-- although I admit she has her faults. The house seems a different place already. She s a real bright little thing." Marilla said more than she had intended to say when she began, for she read disapproval in Mrs. Rachel s expression. "It s a great responsibility you ve taken on yourself," said that lady gloomily, "especially when you ve never had any experience with children. You don t know much about her or her real disposition, I suppose, and there s no guessing how a child like that will turn out. But I don t want to discourage you I m sure, Marilla." "I m not feeling discouraged," was Marilla s dry response. "when I make up my mind to do a thing it stays made up. I suppose you d like to see Anne. I ll call her in." Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment. "Well, they didn t pick you for your looks, that s sure and certain," was Mrs. Rachel Lynde s emphatic comment. Mrs. Rachel was one of those delightful and popular people who pride themselves on speaking their mind without fear or favor. "She s terrible skinny and homely, Marilla. Come here, child, and let me have a look at you. Lawful heart, did any one ever see such freckles? And hair as red as carrots! Come here, child, I say." Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot. "I hate you," she cried in a choked voice, stamping her foot on the floor. "I hate you--I hate you--I hate you--" a louder stamp with each assertion of hatred. "How dare you call me skinny and ugly? How dare you say I m freckled and redheaded? You are a rude, impolite, unfeeling woman!" "Anne!" exclaimed Marilla in consternation. But Anne continued to face Mrs. Rachel undauntedly, head up, eyes blazing, hands clenched, passionate indignation exhaling from her like an atmosphere. "How dare you say such things about me?" she repeated vehemently. "How would you like to have such things said about you? How would you like to be told that you are fat and clumsy and probably hadn t a spark of imagination in you? I don t care if I do hurt your feelings by saying so! I hope I hurt them. You have hurt mine worse than they were ever hurt before even by Mrs. Thomas intoxicated husband. And I ll NEVER forgive you for it, never, never!" Stamp! Stamp! "Did anybody ever see such a temper!" exclaimed the horrified Mrs. Rachel. "Anne go to your room and stay there until I come up," said Marilla, recovering her powers of speech with difficulty. Anne, bursting into tears, rushed to the hall door, slammed it until the tins on the porch wall outside rattled in sympathy, and fled through the hall and up the stairs like a whirlwind. A subdued slam above told that the door of the east gable had been shut with equal vehemence. "Well, I don t envy you your job bringing THAT up, Marilla," said Mrs. Rachel with unspeakable solemnity. Marilla opened her lips to say she knew not what of apology or deprecation. What she did say was a surprise to herself then and ever afterwards. "You shouldn t have twitted her about her looks, Rachel." "Marilla Cuthbert, you don t mean to say that you are upholding her in such a terrible display of temper as we ve just seen?" demanded Mrs. Rachel indignantly. "No," said Marilla slowly, "I m not trying to excuse her. She s been very naughty and I ll have to give her a talking to about it. But we must make allowances for her. She s never been taught what is right. And you WERE too hard on her, Rachel." Marilla could not help tacking on that last sentence, although she was again surprised at herself for doing it. Mrs. Rachel got up with an air of offended dignity. "Well, I see that I ll have to be very careful what I say after this, Marilla, since the fine feelings of orphans, brought from goodness knows where, have to be considered before anything else. Oh, no, I m not vexed--don t worry yourself. I m too sorry for you to leave any room for anger in my mind. You ll have your own troubles with that child. But if you ll take my advice--which I suppose you won t do, although I ve brought up ten children and buried two--you ll do that `talking to you mention with a fair- sized birch switch. I should think THAT would be the most effective language for that kind of a child. Her temper matches her hair I guess. Well, good evening, Marilla. I hope you ll come down to see me often as usual. But you can t expect me to visit here again in a hurry, if I m liable to be flown at and insulted in such a fashion. It s something new in MY experience." Whereat Mrs. Rachel swept out and away--if a fat woman who always waddled COULD be said to sweep away--and Marilla with a very solemn face betook herself to the east gable. On the way upstairs she pondered uneasily as to what she ought to do. She felt no little dismay over the scene that had just been enacted. How unfortunate that Anne should have displayed such temper before Mrs. Rachel Lynde, of all people! Then Marilla suddenly became aware of an uncomfortable and rebuking consciousness that she felt more humiliation over this than sorrow over the discovery of such a serious defect in Anne s disposition. And how was she to punish her? The amiable suggestion of the birch switch--to the efficiency of which all of Mrs. Rachel s own children could have borne smarting testimony-- did not appeal to Marilla. She did not believe she could whip a child. No, some other method of punishment must be found to bring Anne to a proper realization of the enormity of her offense. Marilla found Anne face downward on her bed, crying bitterly, quite oblivious of muddy boots on a clean counterpane. "Anne," she said not ungently. No answer. "Anne," with greater severity, "get off that bed this minute and listen to what I have to say to you." Anne squirmed off the bed and sat rigidly on a chair beside it, her face swollen and tear-stained and her eyes fixed stubbornly on the floor. "This is a nice way for you to behave. Anne! Aren t you ashamed of yourself?" "She hadn t any right to call me ugly and redheaded," retorted Anne, evasive and defiant. "You hadn t any right to fly into such a fury and talk the way you did to her, Anne. I was ashamed of you-- thoroughly ashamed of you. I wanted you to behave nicely to Mrs. Lynde, and instead of that you have disgraced me. I m sure I don t know why you should lose your temper like that just because Mrs. Lynde said you were red-haired and homely. You say it yourself often enough." "Oh, but there s such a difference between saying a thing yourself and hearing other people say it," wailed Anne. "You may know a thing is so, but you can t help hoping other people don t quite think it is. I suppose you think I have an awful temper, but I couldn t help it. When she said those things something just rose right up in me and choked me. I HAD to fly out at her." "Well, you made a fine exhibition of yourself I must say. Mrs. Lynde will have a nice story to tell about you everywhere--and she ll tell it, too. It was a dreadful thing for you to lose your temper like that, Anne." "Just imagine how you would feel if somebody told you to your face that you were skinny and ugly," pleaded Anne tearfully. An old remembrance suddenly rose up before Marilla. She had been a very small child when she had heard one aunt say of her to another, "What a pity she is such a dark, homely little thing." Marilla was every day of fifty before the sting had gone out of that memory. "I don t say that I think Mrs. Lynde was exactly right in saying what she did to you, Anne," she admitted in a softer tone. "Rachel is too outspoken. But that is no excuse for such behavior on your part. She was a stranger and an elderly person and my visitor--all three very good reasons why you should have been respectful to her. You were rude and saucy and"--Marilla had a saving inspiration of punishment--"you must go to her and tell her you are very sorry for your bad temper and ask her to forgive you." "I can never do that," said Anne determinedly and darkly. "You can punish me in any way you like, Marilla. You can shut me up in a dark, damp dungeon inhabited by snakes and toads and feed me only on bread and water and I shall not complain. But I cannot ask Mrs. Lynde to forgive me." "We re not in the habit of shutting people up in dark damp dungeons," said Marilla drily, "especially as they re rather scarce in Avonlea. But apologize to Mrs. Lynde you must and shall and you ll stay here in your room until you can tell me you re willing to do it." "I shall have to stay here forever then," said Anne mournfully, "because I can t tell Mrs. Lynde I m sorry I said those things to her. How can I? I m NOT sorry. I m sorry I ve vexed you; but I m GLAD I told her just what I did. It was a great satisfaction. I can t say I m sorry when I m not, can I? I can t even IMAGINE I m sorry." "Perhaps your imagination will be in better working order by the morning," said Marilla, rising to depart. "You ll have the night to think over your conduct in and come to a better frame of mind. You said you would try to be a very good girl if we kept you at Green Gables, but I must say it hasn t seemed very much like it this evening." Leaving this Parthian shaft to rankle in Anne s stormy bosom, Marilla descended to the kitchen, grievously troubled in mind and vexed in soul. She was as angry with herself as with Anne, because, whenever she recalled Mrs. Rachel s dumbfounded countenance her lips twitched with amusement and she felt a most reprehensible desire to laugh. CHAPTER VIII UP CHAPTER X 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 29 34 (Tue)